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February 2017

Newsletter: Fake news, blockchain and the NHS - the Fed's new events



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Fake news, blockchain, ad-blocking and the NHS - our brand new breakfast series

Our new programme of Unique Breakfasts - short, sharp, policy and issue-based events - are set to challenge our members on some of today’s key questions.

Running from March until July, these sessions are carefully curated by the events team to produce invigorating early-morning discussion, with all guests expected to contribute. Speakers and themes will include the following:

James Harding, director of BBC news and current affairs, will discuss fake news and its ramifications for both journalism and the world.


Ivor Novello Award-winning singer-songwriter Imogen Heap will share her thoughts about how digital innovation ‘blockchain’ can boost the music industry.


Karen Blackett, chair of MediaCom UK, will discuss what ad-blocking means for the future of the advertising industry and the creative sector at large.


Mark Wild, London Underground’s managing director, will address its role in placemaking and the night-time economy and future plans for Art on the Underground.


Simon Stevens, chief executive of NHS England, will lead a discussion on how creativity can affect health and well-being. He will explore existing partnerships between the cultural sector and the NHS as well as future opportunities, including designing new solutions to health problems.


These events are by invitation only. If you have expertise or interests relevant to any of the subjects up for discussion - particularly on arts and the NHS - and would like to attend, please contact the events team. However, due to the very limited number of spaces for each event, a place cannot be guaranteed.
Visit our website for more details >

New details on our industrial strategy meetings

Further times and venues for our nationwide series of meetings on the government’s industrial strategy are confirmed today for Edinburgh, Manchester and Cardiff.

These focused, practical sessions will inform our submission to the government’s consultation, which closes April 17. Members will have the chance to share their thoughts on how the creative industries can best be supported across a host of policy areas, from education through to innovation, IP and investment.

We will also give updates on other areas of our ongoing work, including Brexit and freelancing.


Wednesday March 15
University of Edinburgh

Register >


Thursday March 16
National Theatre Wales

Register >


Thursday March 16
Manchester School of Art

Register >
For more information on all 10 of these meetings - including those in London, Plymouth, Liverpool, Birmingham, Bristol, Cardiff and Newcastle & Gateshead - visit our website.
See all meetings >

Drinking and thinking with the London night czar


London night czar Amy Lamé will next week speak to our members about the importance of the capital’s nightlife before joining the audience for drinks at Dirty Harry’s cocktail bar in Soho. The Federation will also launch its new paper on why the night-time economy - including pubs, bars and live music venues - matters to the wider creative sector across the UK.

This event has been organised in partnership with the Night-Time Industries Association.

Date: Thursday February 23
Time: 6.30pm to 8.30pm
Venue: Dirty Harry's 201-203 Wardour Street, Soho, London W1F 8ZD
Attendance is complimentary for members of the Federation and NTIA.

Register to attend >

Policy update
The Federation responded last week to a new report on arts education.

We were pleased to see recognition of the value of arts subjects in ‘The Two Cultures: Do schools have to choose between the EBacc and the arts?’ by the New Schools Network.

But we highlighted that its analysis mis-states the state of creative education in schools, not least by failing to include design and technology which has seen a massive slump in take-up.

We will continue to lead strongly in this area.
Read our statement >
Our Brexit work continues and was singled out for praise by Culture Secretary Karen Bradley during culture questions in the Commons last week. Members can request the latest round of our survey on the impact of Brexit here.
Request survey >
We are recruiting
Our team continues to grow. We are looking for a fast-working and focused assistant to our chief executive, ready and able to deal with leading figures from across all areas of public life.
Get more info on the role and how to apply >

Government and members' news

The Department for Education and the Skills Funding Agency are encouraging large employers to register for the apprenticeship service, in readiness for the launch of the apprenticeship levy on April 6.
Sign up here >

Julie’s Bicycle ‘Sustaining Creativity’ survey is assessing the UK’s cultural responses to climate change and closes Tuesday February 21.
Complete it here >

BFI Future Film Festival, which offers 16-25 year olds the chance to hear from and meet leading figures in the industry, runs February 16-19 at BFI Southbank, London.
More here >

Poet in the City brings together words, music and film in a performance exploring William Blake’s unfinished work 'Vala, or the Four Zoas' in London on February 23.
More info here > will be visiting Richmond (February 25) and Edinburgh (March 9) to hold ‘Pitch Up’ sessions designed to help it discover new businesses and products to sell on its site.
Get more info here >

MTArt are holding a talk on the interactive potential on of art, architecture and artificial intelligence, as well as the civic role of art, in Cambridge on March 1.
RSVP here >

The BBC are partnering with Hyden Talent for free workshops on how to get a job in journalism, production or tech at the BBC.
Email for info and to secure a place >

A number of Federation members are organising 'Get Creative' weekend for April 7-9. The initiative is looking for participants to hold free public activities, such as workshops and classes, as part of the programme.
Email for more information >

Nesta are working with the Department for Business, Energy and Industrial Strategy on an ‘Inventor Prize’ that aims to inspire homegrown inventors and innovators.
More details here >

The Freelands Foundation has released a podcast of its salon which considered whether we should teach art at all.
Listen to it here >

Retail display agency Seen Displays are exploring the role of neuroscience in consumer engagement through both a research paper and a series of interactive events.
Get in touch to read the paper and sign up for future sessions >
Watch their ‘making-of’ documentary here >

What we've been up to

Federation events: Roundtables with Lord Price on trade policy at the Foreign Office and with our higher and further education members on freelancing at Arts Council England, a business of IP event in Manchester with the Alliance for IP.

Where we have spoken: Conference on diversity at the University of Wolverhampton, VFX, Games and Animation Festival 2017.

Who we've seen: Culture Secretary Karen Bradley, No.10, Department for Business, Energy and Industrial Strategy (BEIS)’ Industrial Strategy Directorate, Scottish Government, Sir Mark Walport, Mark Garnier, Sir Anthony Seldon, Shakespeare's Globe, ENO, Heritage Alliance, Supermassive Games, Google, Royal Academy of Engineers, a string of people and organisations in Brussels.

What we've attended: BEIS reception, Scottish Government’s first creative industries advisory group meeting, University of Leeds’ Cultural Institute roundtable, Seen Displays event on neuroscience in Oxfordshire, reception for Justine Simons, deputy London mayor, Sir Peter Bazalgette's farewell lecture as chair Arts Council England, All-Party Parliamentary Group on arts, health and wellbeing, What Next?, AI and politics at Newspeak House, Videobrains, the Women’s March, London First’s 25th London Awards.

What we've seen, done, read and particularly loved: David Hockney at Tate Britain, The Essex Serpent by Sarah Perry, Giselle at English National Ballet, Jackie, Art at Old Vic, Global Game Jam 2017, London International Mime Festival at Barbican, Lion, The Sellout, Hedda Gabler at National Theatre, Rag'n'Bone Man at The Clapham Grand, Entangled at Turner Contemporary, Buried Child at Trafalgar Studios, La Ronde at Bunker Theatre, Mohammed Qasim Ashfaw’s Black Sun at Hannah Barry Gallery, English National Opera’s Pirates of Penzance, Pod Save America, Saint Joan at Donmar Warehouse, opening nights for Sonia Boyce and Helen Johnson at the ICA.

Given the current range of our activities, this update is designed to give just a glimpse into our work.

From the spring, our new-look website will give our members the chance to showcase their own content. Please get in touch with any images, videos and news updates that you’d like to share.
Become a member
Membership of the Creative Industries Federation is open to companies, arts organisations, educational institutions, trade bodies, arts practitioners and other individuals, with a special rate for under-25s. For more information on joining our unique network, please call 020 3771 0350 or click below.
Sign up now >
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January 2017

The Federation welcomes the creative industries as a key government sector

We warmly welcome the inclusion of the creative industries as one of the five key sectors recognised in the government’s industrial strategy consultation announced today. This is a radical departure, secured only in the last few months, and is potentially the sign of a new, bold and imaginative understanding of business in the 21st century.

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The Creative Industries Federation was formed two years ago in order to put the creative industries at the heart of the government’s agenda. Through our intensive work across Whitehall, we have contended that the UK could be transformed by an industrial strategy with the creative industries as a strategic priority. 

Today’s announcement by Prime Minister Theresa May is a major step forward for a sector which has never been formally recognised in an industrial strategy before. Only six years ago at the start of the coalition government, the creative industries were not formally acknowledged when it announced nine sectors of industrial engagement.

Greg Clark, Secretary of State for Business, Energy and Industrial Strategy, gave the clearest public indication of the shift in thinking in a speech at the Federation’s second anniversary celebration in London earlier this month (January 9) when he promised the creative industries would be “absolutely central” to the new industrial strategy.

Sir John Sorrell, Federation founder and chair, said: ​"I founded the Creative Industries Federation because for decades the sector had been under-represented in government. Recognition of the economic contribution and the potential for growth across the whole of the country is exactly what we wanted to achieve. But this is just the start and the Federation will continue to lead the way, not just across the UK, but internationally.”

John Kampfner, Federation chief executive, said: “When we first began talking about the creative industries being a crucial part of any future industrial strategy, no such strategy was on the table and many people believed such a move unlikely. But the strength of argument has won the day. We have come a long way in a short time.”

The Creative Industries Federation will shortly announce a series of meetings around the UK, echoing the work we carried out for our Brexit Report in the autumn, to prepare a full, UK-wide response to the industrial strategy Green Paper. Federation members will receive a more detailed analysis of the government plans tomorrow. 

Here we provide an initial response to what has been announced today:

There is no greater example of a world-leading sector than the UK’s creative industries and the government has recognised this. We deliver jobs and growth in fast-growing, exciting areas such as video games, animation and visual effects as well as those where we have a long history of brilliance, from television to performance and publishing to architecture. But there is even more potential with the joined-up approach the new strategy offers.

We are also a sector that is able to deliver across the whole of the country. The Northern Powerhouse, the cultural regeneration of towns and cities from Liverpool and Glasgow to Margate, and development of creative clusters in places from Shoreditch, London, to Brighton and Bristol, has already highlighted the way creative industries can transform local economies.  

The industrial strategy should build on this considerable record of success as well as insulate the sector from some of the immediate challenges of Brexit. Support for skills, infrastructure, funding, small businesses and expanding international trade could further accelerate growth in what is already the fastest-growing sector of the UK economy.

Developing skills - and encouraging the right mix of skills - is critical. We understand the government’s focus on STEM (science, technology, engineering, maths) but highlight that creative skills and the creative spark are needed not just by the creative industries but in everything from car manufacturing to engineering. 

There are existing skills shortages in jobs such as visual effects and animation - that is, jobs that young people would want to do, if they were qualified. Identifying new technical pathways into these positions could go some way to tackle skills shortages, but the creative industries will not benefit fully so long as children continue to be denied a broader creative education in schools. Improving the skills pipeline also offers huge potential to encourage social mobility and recruitment from a wider range of young people from different backgrounds. 

We highlight that innovation is not the sole preserve of science and tech and many new businesses are being established by science and technology coming together with the creative industries.

The proposed investment in both digital and physical infrastructure must consider and reflect the needs of the creative sector in every region of the UK, from superfast broadband and good transport links to affordable workspaces.

The mixed economy model, including public support for the arts alongside interventions such as the tax credits which have driven expansion in recent years, has been the bedrock of Britain’s creative success. 

It is vital that local authorities understand how public investment in culture can foster an environment where small and medium-sized creative businesses - which are the staple of the sector - can establish themselves and thrive. But the creative industries have been often overlooked by traditional investors so we trust the measures announced today will stimulate interest in the sector.   

New thinking on trade should include helping small and medium-sized businesses access international markets and showcasing them in trade missions. The long-term diplomatic aim should be to improve the protection of intellectual property rights in new territories even as we make short-term deals.

We are delighted that the five leading figures working on early sector deals for government include Sir Peter Bazalgette, outgoing chairman of Arts Council England, chairman of ITV and one of the founders of the Federation. We look forward to working with him on how the UK’s creative industries can help underpin future prosperity. 


For what Business Secretary Greg Clark and Culture Secretary Karen Bradley said about the industrial strategy and the creative industries at the Federation’s Second Anniversary Celebration at the Design Museum, London, on January 9, click here.

Read the Federation’s submission to the BEIS select committee in October 2016 on why the creative industries should be in the industrial strategy.

Our last education paper, Social Mobility and the Skills Gap, from October 2016, highlights skills shortages and the threat to the skills pipeline of marginalising creative subjects in schools.

The Federation's Brexit Report provides an analysis of the vital issues for the sector during exit negotiations.

The government’s Tier 2 Shortage Occupation List lists jobs where the skills shortages are so acute that it will allow work permits.

Federation chief executive John Kampfner wrote about the importance of creative industries to the UK economy for The Observer on January 1 2017.

The Federation has announced our first international conference will take place on July 12. This is part of our ongoing work highlighting what is happening in the creative industries worldwide and identifying and sharing areas of best practice and innovation. More information here.

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The Federation's first international conference - save the date

From the Creative Industries Federation
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January 20, 2017

for our international conference 

The Prime Minister this week called for ‘a truly global Britain’, but we are delighted to announce that we were already on the case. Plans are underway for our first half-day conference this summer, offering insights into creative industries across the world as our international work takes on ever greater importance.

The conference will take place in central London on the afternoon of Wednesday July 12. We expect to present inspiring and provocative leaders and practitioners. It will be followed by our annual summer drinks reception, where guests can meet and mix with other members of our unique network. 

Please note: this will be a paid-for conference with a reduced rate for members. Details to follow. The summer drinks will be free to attend for members.

The conference follows the enormous success of our Second Anniversary Celebration at the Design Museum and is part of the packed schedule of events the Fed is planning for the year ahead. Watch out for new announcements in coming weeks.
   Register your interest for the conference and drinks    >  
Our Brexit work - the latest

Brexit speech response

In case you missed it, the Federation responded to the Prime Minister's speech on Brexit at Lancaster House on Tuesday.


   Read our response  >   

Complete our new 
Brexit survey

The latest round of our members’ survey on the impacts of Brexit remains open. A link to the survey was sent to members on January 6, but please get in touch if you would like this re-sent.

   Request survey  >   

The Federation gives evidence to MPs on Brexit

Our chief executive John Kampfner is among expert witnesses to the House of Commons culture select committee on the impacts of Brexit on the creative industries on January 31.


Creative industries
and the business of IP

The Federation has joined forces with the Alliance for Intellectual Property to host an examination of the key issues in intellectual property rights.

There will be keynote speakers as well as two practical break-out sessions that will explain how you, as creators and owners of IP, can protect your rights and how to unlock the value in your IP to grow your business. This event takes place in Manchester on February 2.

   For info and to register interest  >   
Members' benefits
Student affiliate membership
Our education members are invited to offer their students and postgraduates individual affiliate Fed membership at a substantially reduced rate as an aid to course recruitment, student satisfaction and industry engagement.
   Contact us for details   >   
Your chance to see
Collect crafts fair first
Fed members are invited to join the Crafts Council for a private view on February 2 for Collect 2017 - the international art fair for contemporary objects at the Saatchi Gallery, London. Collect runs until February 6. 
   Claim your ticket  >   
Design Museum ticket deal
The Design Museum is offering Fed members a 20% discount on tickets for its exhibition, Fear and Love: Reactions to a Complex World.
   Claim your discount   >   
The Hospital Club membership offer
Our neighbours, The Hospital Club, are offering our members a special partnership offer on annual membership.
   Request more details   >   
The Federation is hiring

Events manager

An events manager to help create, develop and implement events for our regional membership network.

   Details   >   

Membership manager

A membership manager to develop innovative ways to grow membership and deliver benefit to our members.

   Details   >   

Press officer

A press officer to help devise and deliver our key messages to members, government and the wider public.

   Details   >   
Members' news

The Design Council has launched a survey to gather opinion on what design-led innovation means as part of their work on the upcoming industrial strategy.
Complete the survey  >

Tate has launched Tate Exchange Associates, a collaboration with organisations across health, education and arts, including Central Saint Martins and Plymouth College of Art, in a programme of 100 events in Tate Modern’s Switch House.
More info on Tate Exchange  > 
More info on Plymouth College of Art’s events  >

The Roundhouse, London, is bringing together young people to debate how to change the city at Young Progress Makers on January 25. Speakers and performers include London mayor Sadiq Khan and Good Chance Theatre.
More info here  >

Booking for the Cameron Mackintosh production of Half a Sixpence at the Noël Coward Theatre has been further extended to September 2.
More info here  >

A film version of the dance work Young Men, commissioned by 14-18 NOW and Sadler’s Wells from BalletBoyz, exploring young men’s experiences of war, can be seen at selected UK cinemas.
More info here  >

Opera North has announced its programme for the 2017/2018 season, including performances as part of Hull UK City of Culture 2017 and a new £10 ticket scheme.
More info here  >

The Association of British Orchestras’ annual conference runs January 25-27 in Bournemouth, focusing on the theme of disruption.
Tickets and timetable are available here  >

Louise Mitchell, chief executive of the Bristol Music Trust, has been honoured for special achievement in arts management at the 2017 International Society for the Performing Arts Awards in New York.

The newly-renamed Snape Maltings has posted a 60-second film of its activities over the past year with a song commissioned from Jonathan Dove as the soundtrack.
Watch it here  >

Produce UK has been named Agency of the Year at the Drum’s annual UK Event Awards.
A full list of the winners can be found here  >

Julie’s Bicycle has announced new events in Birmingham and London as well as a training course on creative climate leadership.
More info here  >

Guildhall School of Music and Drama has launched a new course in performance teaching, designed to support professional musicians, actors, theatre technicians and dancers who teach as part of their practice.
More info here  >

The National Campaign for the Arts and What Next? have launched the Heart for the Arts Awards, rewarding councils, councillors and council officers for outstanding work on arts and culture.
More info here  >

The Culture Diary, the free online calendar of UK culture featuring updates from more than 4,000 organisations, has received a major redesign.
List your event  >

Learning About Culture, the pilot scheme to assess arts education in schools announced in the Chancellor’s Autumn Statement, is calling for proposals for creative projects to include.
More info here  >
Become a member
Membership of the Creative Industries Federation is open to companies, arts organisations, educational institutions, trade bodies, arts practitioners and other individuals, with a special rate for under-25s. For more information on joining our unique network, please call 020 3771 0350 or click below.
   Sign up now  >    
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Speeches at the Fed’s Second Anniversary Celebration

The speeches below have been slightly abridged.


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Karen Bradley, Secretary of State for Culture, Media and Sport:

"It is an incredible privilege to be asked to join you on the second anniversary of the Creative Industries Federation. Our sectors are sectors that I think demonstrate the best about Britain and the Federation has helped me so much in the nearly six months I’ve been doing the job to really understand the intricacies of the creative industries, to understand the unique nature of our industries and to really sell those industries both at home and overseas.
"I think it’s worth me making the point about how much our industries contribute to the UK economy. £87.4bn GVA, 1.9 million jobs, £19.8bn pounds export of services and a quarter of a million businesses. These are industries that touch everybody’s life, every day - and I want to thank you for all you do.
"I think our industries are the industries that really do reflect what is great about Great Britain and nowhere was that more true than in the recent delegation I led to China. John [Kampfner] was on that trip. It was the largest delegation of creative industries to accompany a minister overseas. And I think, I know, how amazed our hosts were by the strength and depth of our industries and that there were so many people who were able to come to China to represent those industries and really start that close collaboration and working together.
"Can I also thank you as a Federation for your advocacy in arts in education. I think it’s only because of the work you did, the support from this sector, that history of art A-level has been saved for the nation. I think that’s a fantastic thing. I now want to make sure that we get lots and lots of young people studying that A-level. And it was great in the Autumn Statement where we had the funding for pilots to examine the impact of arts in education on attainment for the most disadvantaged pupils, because if this is a country that works for everyone that means we need to make sure that everyone in the country has the ability to share in the arts.
"Greg Clark, my colleague, is going to talk to you a bit more about industrial strategy but I just wanted to reassure you that the creative industries are and will be at the heart of this government’s work on industrial strategy. This is one of the major growth areas in the country. It is our soft power. 

"I want to reassure you that I, Greg, the Prime Minister and others, do understand just how important our industries are to the UK economy and we are going to do everything we can to give you the tools you need to continue with the amazing success you have demonstrated today and I know will continue to work on in the future. So I predict great things for you, and this government is right behind you."  

Greg Clark, Secretary of State for Business, Energy and Industrial Strategy:

"A night after the Golden Globes opened the awards season, it is a particular pleasure to recognise the winners of Britain’s most successful industry. In the last few years, you   have been the fastest growing sector in the economy, earning nearly £90bn in 2015, more even than our successfully spectacular automotive sector. This industry leads the way. Two million people employed in all parts of the UK, a quarter of a million businesses - you make Britain what we are but you also tell the world what Britain can do.

"Now there was a time of course when the arts were thought to be a different world from industry and to have the two coming together would have been thought to be an unusual thing, as if anything to do with leisure wasn’t real business. What complete nonsense that was. Try being in the music industry and saying that when, for the second year running, we have in Adele the world’s best selling album artist; in games, when Grand Theft Auto 5 grossed billion in three days - the fastest selling product ever marketed in the world; the five highest-grossing film franchises of all time made in the United Kingdom. British writing, British directing, British acting talent going into them and driving that forward but of course it goes wider than that.

"When in 2011 the Harry Potter films won Bafta’s outstanding British contribution to cinema, the committee said the films not only created stars in front of the camera but highlighted the expertise within the British craft and technical industries, supporting a vast array of jobs throughout  production. The whole industry contributes at every level. So a huge thanks to everyone in this industry.

"We’re developing an industrial strategy for the UK and any good strategy of course has to build on its strengths. You couldn’t fail to have the creative industries as absolutely foundational to that industrial strategy. You will see that you have a big part to play.

"And, of course, the contribution of the creative industries goes beyond jobs and exports and earnings, important though they are. In my view they, you, are essential to our national well-being. We stand here in the middle of London in this magnificent setting not far from Albertopolis that was conceived so many years ago by Prince Albert to very much mine the complementarity between science, between industry and the arts...Everything there together so that the cross fertilisation between science and industry could be there from the outset. That has contributed to Britain, and to London in particular, being one of the most successful cities in the world.

"In my view it is impossible to separate London’s economic success from its cultural success, from theatre to architecture, from music to fashion, from design to dance. People choose to live and work and to flock to London because it’s a hotbed of innovation and excitement and it’s a place where quality of life is prized and it’s a wonderful place to be.

"It’s true of other cities, too. Cities like Birmingham, Liverpool, Manchester and Bristol all owe much of their economic revival to their continuing cultural assets. And it’s thrilling to see Hull celebrating not only its cultural heritage but the vibrancy and creativity of that wonderful city.     

"In the past I’ve negotiated city deals with some of these great cities across the country, giving more power and more resources to them so that they could pursue their own ambitions. I want our industrial strategy to take that same spirit and have a recognition of how the government can work with the industries, all of them represented here, to make sure that we have all the conditions in place to extend our notable success; to help our stars to shine even brighter in the future but also to ensure sure that Britain is more than ever the place where innovation, where creative original talents and business, will choose to be based. That is what our industrial strategy will be aimed at and you will be absolutely central to that."


Fiona Hyslop, Cabinet Secretary for Culture, Tourism and External Affairs in the Scottish Government:

"In Scotland we are about to get our first purpose-built museum of design, the V&A Museum of Design, opening in Dundee in 2018. It will be the first V&A outside London. And I think it demonstrates how Scotland is a country that values and invests in its creative industries.

"I’ve announced that the Scottish Government will be appointing a creative industries advisory board - the first to have direct contact with Scottish ministers. We will look forward to 2017, a year where we will drive forward new developments in film and broadcasting. In particular, the BBC will be expected to work strategically to provide quality output and to contribute more actively to our creative industries.

"Of course, Brexit will dominate strategically in 2017 and the Scottish Government is exploring all options. We can’t have a hard Brexit. We want to keep the benefits that we have in our relationship for the EU particularly reported to cultural industries. At the end of December, we put forward proposals that are not just good for Scotland, but that can provide political leadership for the United Kingdom, on how we can engage in a new relationship with Europe. We are the first UK government that put forward plans and we expect a positive response. 

"Culture is about people. And creativity is about the ingenuity of humankind. Our firm and consistent view is that we must retain complete membership of the single market in all its aspects and freedom of movement of people is critical. Access to the ideas, the talent, the experiences and the creative exchanges which the freedom of movement provides in the single market will be essential to the flourishing and thriving of our industries.

"We can talk about trade and we can talk about economic value. Our creative industries in Scotland employ more people than oil and gas and provide more GVA than life sciences, but they are rooted in the creativity of people.

"So let’s make sure that whatever happens, the embracing of inclusivity and the encouragement of exchange of people’s ideas on which our creative industries and our culture have been based can flourish.

"I look forward to working with the Creative Industries Federation and all the bright thinkers and expressive artists that we have across these islands to make sure that when we build our future, we shape it ourselves rather than having it shaped for us." 


Sadiq Khan, Mayor of London:

"I know many of you are concerned about Brexit. It’s not hard to understand why so many in the creative industries wanted us to remain in the EU and we can all understand the anxieties post-Brexit. Our creative industries are hugely reliant on international talent. Almost half of your exports go to the EU. It’s unsurprising that retaining access to the single market is a priority for you. 

"So I pledge today, I’ll stand with you every step of the way. I’ll work to ensure your concerns are addressed by our government and your interests defended during the upcoming Brexit negotiations. And to that end I’m grateful that Sir John Sorrell has agreed to serve on my Brexit expert advisory panel as a representative of the arts and creative industries.
"What's clear to me as the proud mayor of the greatest city in the world is that we can’t be complacent or take the creative industries for granted because talented, creative, innovative people are the key to our continued success. You don’t need me to tell you that you are currently the UK’s fastest growing sector, contributing £35bn a year in London alone.
"But not only do you boost the economy, you also benefit our society. Culture is woven into the DNA of our city. It’s the glue that binds us together. It brings so much joy and adds value to the lives of millions. It has the power to inspire our young people, develop skills and transform lives and on top of this it enhances our standing in the world, our cultural export, articulating our values and identity as an outward looking, welcoming nation.
"Indeed, you are some of our finest ambassadors on the international stage. Just look at how the world mourned the recent loss of two great Londoners, David Bowie and George Michael, who had such a profound effect on global culture. 
"And, of course, our creative industries also help to show that London is open. London is open to business, ideas and people. For all these reasons and more, I’ll make culture and the arts one of my top priorities as the mayor of London. 

"Like many of you, I’m passionate about expanding access to culture. From the exceptionally gifted Star Wars actors, John Boyega and Riz Ahmed, to the Turner Prize-winning artist Helen Martin, we have so much up-and-coming talent who’ve been inspired by others in the industry - from one of the world’s greatest authors JK Rowling and one of it’s most accomplished singers Adele, to the legendary fashion designer Vivienne Westwood and the visionary architect behind the Smithsonian’s new museum in Washington DC, Sir David Adjaye. And, of course, our latest batch of amazing Golden Globe winners: Claire Foy, Olivia Colman, Tom Hiddleston, Hugh Laurie and Aaron Taylor-Johnson. 
"There are so many Brits and Londoners ensuring our country punches above its weight culturally right now. And while Brexit may be looming large on the horizon, I promise I’ll do anything I can to ensure London’s creative industries continue to flourish so that today’s talented youngsters can follow their dreams, fulfil their potential and one day stand on the shoulders of our cultural and creative giants." 

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November 2016

Sir Peter Bazalgette on the Business of the Arts: Full Speech Here

Earlier today our Sir Peter Bazalgette, Chair of Arts Council England, gave a major speech to Federation members examining the relationship between governance, business and the creative and cultural sector.

Click below to see the full text of his speech. 

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The Business of Arts: Sir Peter Bazalgette

Creative Industries Federation 11 November 2016


Thank you for inviting me to speak here. I’m especially pleased to be hosted by the Creative Industries Federation, which is doing so much to speak up for the creative sector, particularly to Government, now that industrial strategies are in fashion again.

When I became Chair of Arts Council England at the beginning of 2013, things seemed pretty gloomy.

We faced a serious financial situation. The national economy had been in shock, there were large reductions in funding across the public sector, while falls in personal and business income threatened both revenue and donations. The Arts Council had seen its Grant in Aid cut by more than 30% .

But we knew that we had great talent in our sector. Right from the start, in my travels across the country, I was meeting imaginative, purposeful leaders of arts and cultural organisations. These were people who combined a commitment to great work with entrepreneurial flair.

It was crystal clear to all of us we needed to diversify the income streams of the arts as rapidly as possible.

Back then, we described our mixed funding model - public investment, earned income and charitable donations using the analogy of a three- legged stool. You need all three legs, or you fall over.

First, we needed to stabilise the all-important cornerstone of public investment by better articulating and demonstrating its value and impact.

I believe unequivocally in public investment in art and culture.

It secures the public’s interest in a national resource that shapes all our lives, powers our creative economy, informs our education, enhances our health and wellbeing, and enriches our communities and thus our national life.

And with government as a lead investor, arts organisations can lever in more, adding value to public money.

Second, could we increase giving by raising the charitable profile of arts organisations?

And third, we had to champion new ways for arts and culture organisations to broaden and boost their earned income, beyond ticket sales.

So at every available opportunity, rather like the ancient mariner stopping one in three, I stressed how critical it was to diversify revenues.

An important but unremarkable view, you might think. It wasn’t always understood. At least, not at first.

Some suggested that I was giving up on public investment – though nothing could have been further from the truth.

One artist obligingly painted my P45, which the Royal Academy generously displayed at the Summer Exhibition.

Well, that artist’s wish has come true, because I’m about to leave the Arts Council.

But it’s fair to say that my wish has come true.
Because the arts and cultural sector, even with all its manifest

challenges, is increasingly on a surer and broader financial footing.

We’re reaching out to more people; the vital role that art and culture play in our society is better understood by government; and the creative industries are leading the country in terms of economic growth.

That’s no joke. That’s a huge achievement by the arts and cultural sector. By all of you.

For that, I can take some mockery.


Today, I want to look a bit more closely at the business of the arts, especially around earned income. That’s the likes of ticket sales, hospitality, merchandising and other commercial revenues.

I’ll also talk about public investment and giving – there are good stories there as well as big challenges. But earned income merits special attention. It’s the unsung hero of this story, best exemplified by looking at what’s been happening with around 600 of our larger, publically- funded arts organisations, members of our National Portfolio.

And now that baking has taken over from football as our top national sport, I’ll ask you to think of the overall income of these arts organisations in terms of a cake.

In cash terms, between 2012/13 and 2015/16, the overall income of those 600 organisations rose to one and three quarter billion pounds. That’s an increase of more than 20%.

And a hell of a lot more cake.

What’s the magic ingredient?

While the cake has grown, the proportion of it the Arts Council contributes through Grant in Aid and Lottery funds remained largely the same, at 22%.

And the proportion that comes from Local Authority funding has declined to just over 6% - we know why that is.

So while the public purse remained an incredibly important part of the mix, it wasn’t contributing to the growth.

What about donations, so-called ‘contributed’ income? They’ve seen steady progress, with personal giving along with gifts from trusts and foundations, pushing their share of overall income up by 1.5%.

But the magic ingredient, that’s helped the cake rise so satisfyingly, is earned income - what organisations earn through their tickets sales, their educational activity - and their ‘supplementary’ income from commercial activities and other revenue streams – cafes, restaurants, car parks, merchandise, services and skills.

For that sample of 600 organisations, since 2012/13 earned income has grown from just over three quarters of a billon to more than £1 billion - up by more than 25%. And these commercial revenues now contribute comfortably more than half of the entire cake (I’m calling time now, I promise, on the home economics metaphor).


While income from ticket sales and educational activity has actually declined slightly – which reflects the tough times we’ve been through – income from supplementary activity has grown by – wait for it – a staggering 75%.

This is what’s helped make a significant change in the fortunes of the arts and culture sector. Entrepreneurial flair.


Let me tell you about some of the ideas that organisations right across the sector are employing – many of them backed by public investment.

Hospitality, whether a café, bar or restaurant.

Take the Theatre Royal Plymouth, which refurbished its catering facilities as part of a capital grant from the Arts Council - and between 2012/13 and 2014/15 increased its income from catering and retail by 24%.

Or the Chichester Festival Theatre. After a major makeover funded by public and private money, it made £1.4 million from catering operations in 2014/15 – up 9% on pre-refurbishment figures.

If you’ve got the right location, you might look at rental income.

Like Lighthouse Brighton, a cultural agency that pioneers developments in art and technology, and uses its city centre premises to provide a reliable source of income from commercial hire and office tenancy. Lighthouse has 100% occupancy of its creative office suites.

If you’re in a town that’s a destination for bargain hunters, you might run a charity shop on the high street, like The Roses Theatre in Tewkesbury. Staffed by a team of volunteers, alongside a full-time manager, this currently contributes £20,000 per annum to the theatre’s finances as well as engaging the local community and advertising the theatre’s charitable status.

And if you’ve got a strong visual arts brand, you might develop a shop and online retail business like Baltic in Gateshead, selling special editions of art works, and adding art to the things we use every day – cups, coffee pots, shopping bags, toys or bookends.

If you’ve got the space, you might offer bed and breakfast, alongside artists and musicians, like the urban oasis of Islington Mill arts hub in Salford.

Or like, New Brewery Arts in Cirencester, you could run a stylish and popular hostel alongside your core business. These social enterprises represent a whole new sector of the British economy and the arts are ideally suited to lead it.

If you have a car park it might make sense to put it to work with a pay facility, supporting your great creative output. This is what the Yorkshire Sculpture Park have done.

Or if you’ve got a photogenic setting, you might promote yourself as a film location, like the Black Country Living Museum, which has been used for the three series of Peaky Blinders.

If you’re a publically-supported orchestra, you may make money by recording film scores and video-game soundtracks. In recent years, the Philharmonia has been on the soundtrack of Iron Man 3, Elysium, Thor: The Dark World, Fury and Avengers: Age of Ultron, while video games credits include the Harry Potter series, Lord of the Rings: War in the North, and Medal of Honour.

It shows that arts organisations are increasingly run by business-minded leaders who understand that when you run a great business, it’s a lot easier to make great art.


Some of you may say that my overall statistics are skewed by rich, London organisations.

Quite true – it’s undoubtable tougher elsewhere. If you look at theatres in the rural South West for example, you’ll see that their turnover has only grown by 10% - less than half the national average.

Supplementary income there has actually declined by 60% over 4 years. But laudably, this was offset by ticket sales and other core activities increasing by just over 50%. So they’re working hard to reach more people - and they are doing well at that.

Generally speaking, rural areas pose challenges for businesses of all sorts.

So we must continue to provide additional investment and support where it is most needed.

We’re doing this.

We’ll be investing up to £2 million through our Building Resilience programme, helping up to 100 organisations develop their entrepreneurship and philanthropy and make the most of intellectual property.

We’re investing £1.5 million in our programme for Developing Sector Leaders, and we’re also supporting the development of leadership across museums.

And through Strategic funds we’ve invested £400,000 in the Business Support programme, so that organisations can become better businesses.

When arts organisations have skills, networks, and good leadership they have shown they can thrive.

Helping them acquire these is one of the important functions of public investment, working alongside all the earned and contributed income.


I as I said earlier, public investment is the people’s skin in the game. It allows us to have a say in how art and culture is run, and who it is run for.

It ensures, for example, that diversity is prioritised, and that the best of art and culture can be enjoyed by everyone, everywhere, at affordable prices or for nothing at all, and increasingly by digital means.

It does all this for a small amount of public money.

Less investment would mean less influence, and that would be a loss to the public as a whole.

In recent years, I’ve been pleased at how much better we have all become at talking about these benefits – presenting what we call the “the holistic case for public investment in art and culture”.

The value of art and culture was recognised by the last chancellor, and we believe this is understood by the new government as well.

Stable public funding, agreed for the four years of the current spending settlement, will enable us to continue growing the arts sector in all these ways, whatever the weather.

Here, I’d like briefly to mention the referendum result.

Whichever way you voted, Remain or Leave - and all of us know people from both camps – the United Kingdom now needs to be more open to the world and more open to the world’s cultures than ever before in our history. I believe this is a special duty of publically supported arts and culture.


So that’s earned income and public funding. Now I’d like to talk briefly about the third element of the sector’s income – contributed income. Gifts, donations – or philanthropy, as we sometimes call it.

That 1.5% increase it made to the NPOs overall income sounds small, but in cash terms it amounted to a big increase on 2012/13.

In fact, last year contributed income was worth more than £200 million - a real advance.

We’ve recently commissioned research looking at the state of giving in the arts and culture sector as a whole over the last three years.

We’ll be publishing the report shortly, but early findings support the headline figures from the narrower sample of our National Portfolio. It will show that contributed income in art and culture generally is growing.

In 2014-15, it was worth was £480 million. Just under a fifth came from business, a bit less than a third came from trusts and foundations...which meant that, magnificently, more than half came from generous individuals.

A relatively small number of large private donations – around 50 – went to a relatively small number of arts organisations, many of them in London.

So before we rush to expect too much, too quickly, from publicly funded arts and culture organisations, remember that many of them are neither very big, nor are they based in London.

There have of course been some wonderful large gifts outside London, but in general arts organisations across the country need more support to develop fund-raising skills, so that we can make people aware of their charitable status, and so we can make better use of shared data and integrate sales, marketing and fund-raising.

We’re delivering that support through the Arts Fundraising and Philanthropy programme of skills development and training.

We will continue to invest in our Catalyst: Evolve and Catalyst Small Grants programmes.

Catalyst Evolve will target organisations that are new to private giving.

And between 70-80% of this investment has been and will continue to be awarded outside London.

We’ve also been training the next generation of fundraisers though the Arts Fundraising Fellowship; 80% of participants have been from outside London.


So arts and cultural organisations need to be effective businesses which are also well-run, fundraising charities. Strong, supportive boards are crucial in this.

We need board members conspicuous for their actions as much as for their opinions. That includes fundraising.

It’s my personal view that every board member should give something, even if it is just a pound, so that they are not asking others to do what they themselves are not.

We talk about the need to have a skilled workforce and leadership, but having an appropriately skilled board is every bit as important.

There should be a strategic plan for appointments to the board; yes, boards must reflect the culture of their communities, but also the strategic ambition of their organisations.

Each board member should bring a relevant competency and, these days, after several high profile car crashes in the charity world, there’s no excuse for boards and trustees to be ignorant of their responsibilities.

Boards need to have foresight, and to be able, for example to develop a clear and consistent policy around ethical sponsorship, deciding what is or is not appropriate for their particular organisation.

The Arts Council does not dictate policy in sponsorship. We accept that different organisations will have different approaches, and boards should be free to accept donations they consider suitable. What matters is clarity, consistency and transparency.


Now, a word about novel funding streams.

Some of these have come from government in the form of tax credits for the theatre, for dance and opera orchestras and museums and galleries. In its first full year, the theatre tax relief was worth £25m to the sector.

Along with the parallel credits for film, television and video games, I see this beneficial programme of tax credits as the beginning of an industrial strategy for the creative industries.

These are the businesses which not only drive the economy but define our culture, power our empathy and fire our imaginations. Why wouldn’t you have such a strategy?

Then there are mixed models, such as social investment. We’ve helped start a fund which makes loans rather than grants to organisations. The Arts Impact Fund brings together public, private and philanthropic funds from the Bank of America Merrill Lynch, the Esmee Fairbairn Foundation, Nesta, the Arts Council and the Calouste Gulbenkian Foundation.

The loans it offers to arts and culture organisations across England are for projects that show a social, artistic and financial return.

Among the first investees are Brighton-based South East Dance, who have a loan of £350,000 towards a new Dance Hub that will provide rental income and support work with local artists and the community.

There’s also £150,000 for the Titchfield Festival Theatre, so it can increase its rental income and install solar panels.

I predict that such publically beneficial financial instruments will grow strongly in the years ahead. We must make sure that they do.


So, as I look forward to my P45 from the Arts Council, I’m pleased with the progress that’s been made with income across the National Portfolio.

A stable settlement from the Government covering funding for the next four years, delivering amazing public benefit.

Increasing gifts and donations.

And boosting earned income, thanks to a new generation of talented cultural entrepreneurs.

There remain many challenges - as we always say, because it’s always true. But we have come a long way in a short time and that should give all of us who work in art and culture confidence.

The picture varies greatly across the country. We’re addressing that imbalance, investing more where it is most needed – that will be a part of our new investment process which has just been launched.

We do know we have to continue to make the case for public investment to local authorities, which are under such pressure and facing difficult choices. I have talked about this a lot, and there isn’t time today. But it’s a critical issue.

We’re keeping a careful eye on fluctuating Lottery revenues – increasingly important as our Grant in Aid has declined.

But new partnerships with the likes of higher education, health authorities and with LEPs are going to be fuelling more arts and more culture in more places.

With more we could always do more.
More for those organisations on the periphery of the National Portfolio. More for communities outside the better resourced cities.

Now, with that iconic P45 of mine in mind, I’d like to finish by emphasising once more how much of a bedrock public funding is, however strongly other revenues grow.

A few weeks into the job of Arts Council Chair, I got a panic call, late at night, from a certain Government minister.

The Minister: “Is it true that the Arts Council has spent thousands on a ‘sculpture’ made out of plumes of smoke?”

Me: “Yes, Minister.”
The Minister: “Is it true it doesn't work?” Me: “Yes Minister. Not on this occasion.”

He said that a certain tabloid was preparing the headline: “Arts Council money goes up in smoke!” At the very least I should announce an inquiry (don’t we love inquiries).

I calmed him down and human civilisation did not come to an end the following day.

But here’s the point: surely the role of public money is to take risks that wouldn’t be taken otherwise.

Today’s outrage is tomorrow’s mainstream.

You don't always back a winner; but you never get a successful business without taking risks.

Thank you.

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October 2016

BREXIT REPORT: The impact of leaving the EU on the UK's creative industries.


The Creative Industries Federation today publishes its Brexit Report, a first-look analysis of red-line issues for government as it negotiates leaving the EU. 

The report includes recommendations, agreed jointly by the Federation and industry members of the Creative Industries Council, aimed at tackling short-term challenges and securing longer-term success for the fast-growing creative industries sector as the UK negotiates leaving the EU.

Read more

Read the report.

It has been presented to Karen Bradley, Secretary of State for Culture, Media and Sport, today. 

The 73-page document draws on evidence from around 500 contributors at 11 meetings held by the Federation nationwide, as well as a members’ survey, to identify the opportunities as well as the dangers that policy- and deal-makers must consider in the Brexit process.

It calls for the creative industries to be put at the heart of government thinking as the country develops its new industrial strategy, forges new international trade deals and tackles the fractures in society exposed by June’s EU referendum vote. 

John Kampfner, the Federation’s chief executive, said: “The challenge is to seize the opportunity sectors in the British economy and prioritise them in future trade deals and in the new industrial strategy. The creative industries are a massive opportunity for the UK government.

“This is the fastest growing sector of the UK economy and includes all the things that Britain is famous for - from our music to our films, television and heritage. We want to work with government to safeguard the jobs, the revenues and the prestige the creative sector offers.

“While the political circumstances are constantly changing, this report produces initial recommendations and explains how the UK’s creative sector currently engages with EU so that sensible decisions can be made.”

The Federation believes that Brexit offers the chance to tackle some existing problems. It creates an opportunity to: 

    •    Reboot education and training to provide young people with the skills needed for great jobs in the creative sector, including many with existing skills shortages, such as animation and visual effects

    •    Create a visa system fit for the 21st century - enabling access to world-class talent and recognising the importance of freelances and that value does not always correlate with high salaries

But there are risks both to funding and investment and to the regulatory framework that underpins the creative economy. It is vital that the government:

    •    Conducts an audit of existing EU funding to the UK’s creative sector (especially in the regions) to identify the streams that should be replaced by the UK as part of government public support alongside tax reliefs

    •    Upholds intellectual property rights including copyright in trade deals, especially with new markets with bad infringement records, and remains proactive in negotiations on the Digital Single Market and other regulatory issues with major implications for the sector

The consultation identified some immediate impacts including the effect of business uncertainty and the fall in sterling on planning and artists’ fees.

A range of other concerns raised include:

    •    The capacity to retain and recruit talent and how new visa rules will be implemented
    •    Increased costs including additional administration for British artists in touring to the EU and for British venues wanting to present non-UK EU nationals
    •    The impact on the finances and international standing of British higher education of a likely cut to the number of EU students and academics
    •    The loss of rights protecting original designs with knock-on effects for trade showcases such as London Fashion Week
    •    The UK’s ability and willingness to defend UK interests in negotiations on the Digital Single Market and other areas of regulations
    •    The loss of EU funding streams which have been particularly important in UK nations and regions
    •    Whether the UK will proceed with hosting the European City of Culture in 2023

Federation members today supported the case for action.

Sir John Sorrell, designer, UK business ambassador and Federation founder and chair, said: "It has taken two decades and more to turn our creative industries from an afterthought to a key driver of wealth and global success. To imperil that would be to imperil our wider economy. That is why we need to be at the heart of the new government's industrial strategy and negotiating priorities in coming months."

Baroness Lane-Fox, businesswoman and philanthropist, said: "Without great data and great analysis you can’t make great decisions. With so much at stake for our creative sectors in light of Brexit, we need this kind of work more than ever.”

Tom Weldon, chief executive, Penguin Random House UK, said: “We are still a long way from knowing what Brexit actually means, and it will be a true leadership challenge for the government to reconcile the public concern that has been expressed around topics such as immigration with the ongoing needs of business. For UK trade publishing, the four most important priorities post-Brexit are: keeping barriers to trade with the EU to an absolute minimum; strong copyright rules to encourage investment in the UK and to protect creators; ensuring publishers and businesses have access to the people and skills they need; and minimising business uncertainty.”

Amanda Nevill, chief executive, British Film Institute, said: “Film is a global business and the UK is a success story at its heart. We have this wonderful opportunity now to aspire to even greater heights of success, economically and creatively, if we can get the right framework for the future. In this time of change, film as one of the great arts has an important role in helping everyone engage with, imagine and shape a new future.” 

Sir Nicholas Serota, director, Tate, said: "The success of Tate in recent years has depended very much on our ability to employ people from across the EU at all levels of the Gallery. For us, this is an essential ingredient in creating one of the world's great galleries. We attract significant numbers of international visitors and a staff with different kinds of cultural and educational experience helps us to understand what engages these audiences. As the government works out arrangements for the future, we would not want any artificial barriers erected which might make it harder for us to attract the skills that we need in order to serve our public well."

Caroline Rush, chief executive, British Fashion Council, said: “One of the most important aspects of EU membership for the fashion industry is the access it gives us to a unique talent pool. Although home-grown talent is always encouraged and supported, the ability for international workers to be educated in the UK and to start businesses here gives us access to skills that are scarce, or in some cases no longer available in the UK workforce. This is essential to maintaining our enviable reputation as a global fashion hub.”

Jo Dipple, chief executive, UK Music, said: "The UK music business derives more than half its revenue from exports, to the tune of £2.2bn last year, so our future is dependent on securing favourable trading conditions with overseas territories. The government has limited time to understand business needs so it should use the Creative Industries Federation Brexit Report to inform decision-making which will affect our prospects for decades to come. So government, please read this document and make well-informed decisions on behalf of creative businesses in the UK.”
Chris Hirst, European and UK Group CEO, Havas, said: “The UK is one of the world’s leading centres of commercial creativity because it is a welcome home to the world's greatest creative talent, both the established and the new. Foreign-born talent doesn't deprive Brits of jobs, it make British creative talent better and thus creates jobs. At the same time it helps disseminate our ideas and creative product around the world. Any restriction on this impoverishes us all - in all senses of the word. We must continue to not just be delighted at the fusion of ideas and talents we find across our great nation, but ensure that we feel and sound like a place the best want to come to.

Richard Johnston, chief executive, Endemol Shine UK, said: "There has never been a more critical time for the UK’s creative industries to come together and to make their voice heard. This insightful report brilliantly articulates crucial considerations which need to be taken into account at the highest levels of government if the UK creative industries are going to continue to thrive.”

Dave Moutrey, director and chief executive, HOME, Manchester, said: “If the UK government wants to ensure that the growth of our economically and culturally important creative industries sector is not damaged by Brexit and, importantly, has a good chance of thriving in the future, I would urge them to act upon this clear set of crucial joint recommendations.”

More comments are available from industry figures including Russ Shaw, founder, Tech London Advocates, Alex Beard, chief executive, Royal Opera House, Catherine Mallyon, executive director, Royal Shakespeare Company, Deborah Bull, assistant principal (London), King’s College London, Victoria Pomery, director, Turner Contemporary, Margate, Alistair Spalding, artistic director and chief executive, Sadler’s Wells Theatre, Jim Eyre, director, Wilkinson Eyre, Abigail Pogson, managing director, Sage Gateshead, Brett Rogers, director, The Photographers’ Gallery, London, Ian Livingstone, co-founder, Games Workshop and chairman Sumo Digital, Dinah Caine, chair, Creative Skillset, Graeme Thompson, pro-vice chancellor connections and place, University of Sunderland, Fergus Linehan, festival director and chief executive, Edinburgh International Festival. Read more

The collaboration between the Federation and CIC reflects the sector’s recognition of the crucial importance of coordination and coherence over Brexit. The Creative Industries Council is a joint forum between government and the creative industries and focuses on areas where there are barriers to growth. Council members are drawn from leading figures across the sector. 

Nicola Mendelsohn, VP EMEA Facebook and co-industry chair of the CIC, said: “We have responded to the government’s request for input with an exciting and ambitious agenda for growth before, during and after Brexit. We are now ready to work with our partners in government to ensure the UK realises the full benefits of its world-class creative industries as we enter this new stage in our history.”

The creative industries are valued by government as worth £87.4bn GVA to the British economy. Exports of creative services from the UK totalled £19.8bn in 2014.

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Social Mobility and the Skills Gap, Creative Education Agenda October 2016

The Federation has launched 'Social Mobility and the Skills Gap - Creative Education Agenda 2016', a paper demonstrating how the current focus on the EBacc - alongside plans for apprenticeships - are limiting the life chances of the next generation and will not achieve the Prime Minister’s ambitions for greater social mobility.

The paper also highlights how current policies threaten the UK’s standing as a global creative power by failing to produce enough young people with the mix of creative and technical skills needed.


Click here to read the full report, and here for the accompanying press release. 

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August 2016

Newsletter: Helping Sort Out Brexit

Dear Friends and Colleagues,

The Federation is gearing up for a huge autumn and obviously Brexit is top of the agenda.

As ever, we will work with all our members across the entire country on everything that matters to the sector - and, in coming weeks, we will unveil another round of exciting events.

Read on for details of:

    •    How we are dealing with the Government on Brexit
    •    More exclusive offers for Federation members
    •    Members’ news
    •    What we’ve done, who we’ve seen and and what we've been to.

Best wishes,
John Kampfner, Chief Executive

Read more

Please note: We are a membership body which relies on our membership dues to do our work. You need to be a member in order to attend our events and take part in our policy work and other activities. For more information on membership, please contact Andrew Major on or click here

The Next Steps For Our Work on Brexit

Our members will recall that within hours of the referendum result, we announced plans to bring the entire sector together. 

After 200 of our members - including senior figures from across the creative industries, arts and education - met at the first meeting in London, we have been holding discussions around the country. In Manchester, Nottingham, Birmingham and Edinburgh we have explored what members need to know, what is already happening, and what the negotiating priorities are as we leave the EU. The series continues - details below.

We are also very pleased to be working in partnership with the Creative Industries Council and our work with members will form part of our joint presentation to ministers.

The aim is to ensure that there is one clear set of recommendations for Government to ensure the best possible outcome for UK's creative sector. 

We will shortly announce an event for members at which we will summarise the findings and outline the key policy objectives.

Remaining Brexit impact meetings are as follows:

Swansea: September 6,
3.30pm-7pm at Volcano Theatre

Bristol: September 7
11am-1.30pm at Colston Hall

Plymouth: September 8,
2pm-4.30pm at Plymouth College of Art
Leeds: September 14,
12.00pm-2.30pm at the University of Leeds

Newcastle: September 15,
9.30am-12pm at Sage Gateshead


Click Here to Register Your Interest in Attending


The Federation in Scotland

The Federation team spent last week in Scotland holding a series of events and meetings - including our own EU referendum response discussion - and enjoying a joint reception with the Edinburgh International Festival.

We took part in the International Culture Summit, a Creative Europe event on Brexit and the Beyond Borders Festival as well as meeting members and enjoying a string of performances, including on the Fringe. John Kampfner, our chief executive, also had a detailed bilateral meeting with Fiona Hyslop, Cabinet Secretary for Culture, Tourism and External Affairs.

Scottish Culture Secretary Fiona Hyslop and Edinburgh International Festival director Fergus Linehan speak at our joint reception following the Edinburgh Brexit impact meeting. Credit: Mihaela Bodlovic, Edinburgh International Festival


 Exclusive Offers for Federation Members

- To mark our move to 22 Endell Street, Covent Garden, our new next-door neighbour, The Hospital Club, is extending a special partnership offer to Federation members. Message us here for further details.

- In an offer that may be of particular use to members based outside the capital, eOffice has a limited number of day passes for Federation members to use its hot-desking space in Soho, London.

All members are also eligible for discounted rates on virtual office services and hot desks and meeting rooms across the country. For further details on any of these offers, message us here.

Getting Creative in Cornwall

This event will explore how Cornwall, which is already home to an incredible number of creative businesses, can develop its potential even further.

Partnering with the Cornwall and Isles of Scilly Local Enterprise Partnership, we will host practical workshops on skills, investment, innovation and digital as well as a debate on what creative companies can bring to rural areas. Speakers include:

    •    John Kampfner, chief executive, Creative Industries Federation
    •    Caroline Norbury, chief executive, Creative England
    •    Simon Belsham, CEO,
    •    Phil Geraghty, managing director, Crowdfunder

Date: Friday October 21
Times: 9am arrival, 9.30am - 1pm
Venue: Heartlands, Robinson’s Shaft, Dudnance Lane, Pool, Redruth, Cornwall, TR15 3QY

               (Pictured below)

Register Here

What Our Members Are Doing

 - Screen Yorkshire’s Bootcamp 2.0 is offering classes and on-set placements for film industry entrants with less than six months’ experience. Applications close at 5pm on Friday September 2. Info here

 - The National Society for Education in Art and Design has followed up its survey report on the impact of government policies on creative education with an analysis of what this year’s GCSE results tell us about arts in schools. Available here

 - Camelot have teamed up with startup FreeForm to offer a year’s digital skills training to 16 young people that will help shape the National Lottery’s digital future. A recruitment event will take place in September. Info here

 - The Old Vic 12 competition gives 12 emerging performing artists a budget, mentoring and freedom to work with its departments to develop three new plays. Apply here.  

 - The Building Centre is hosting its own discussion on how to respond to Brexit with speakers including Rohan Silva from Second Home and Zaha Hadid Architects’ Patrik Schumacher. Bookhere for the event on September 7

 - Chelsea College of Arts will host the first Creative Lenses forum on October 13, exploring innovative business models for arts venues and performing arts organisations. More info here.

 - Penguin Random House is looking for new writers from underrepresented communities for its Write Now scheme. There are live events across London, Birmingham and Manchester. Infohere

 - The V&A has acquired the Tommy Cooper Collection of 116 boxes of archive material tracing the comedian’s life, as well as an extremely rare ceramic bowl by celebrated postwar potter Hans Coper through the Annabel Freyberg Memorial Fund, which is on display now.

 - The 60th BFI London Film Festival sees the return of LFF Connects - a series of talks and events stimulating collaboration between filmmakers and creative leaders. Industry delegates can book here. Tickets go on sale from September 8 for BFI members and September 15 for non-members. 

Who We've Met, What We've Seen, What We've Been To 

Federation events:  Joint reception with Edinburgh International Festival in Edinburgh, EU response events in Birmingham, Nottingham and Manchester. And Norwich today.

Where we have spoken: Beyond Borders International Festival.

Who we have engaged with includes: Karen Bradley, Secretary of State for Culture, Media and Sport, Matt Hancock, Minister for Digital and Culture, Fiona Hyslop, Cabinet Secretary for Culture, Tourism and External Affairs, Foreign and Commonwealth Office, GREAT campaign, European Conservatives and Reformists, Manchester City Council, Mayor of Liverpool’s Office, Battersea Power Station Development Company, Manchester International Festival, Channel 4, Arts Council England, Federation of Scottish Theatre, Royal Conservatoire of Scotland, Edinburgh International Festival, Riverside Trust, Ingleby Gallery, National Galleries of Scotland, Summerhall, Royal Academy of Arts, Rural Culture Forum, Weber Shandwick, Pinewood Studios, Warner Bros. UK, Clore Leadership Programme, Victoria and Albert Museum, Mediacom, Liverpool Everyman and Playhouse, Nesta, Greater London Authority, LSO St Luke’s, Dezeen, Southbank Centre, Sony Pictures Entertainment, Bolton and Quinn, Mishcon de Reya, Ideas Foundation, Tech UK, The Drum, Liverpool Philharmonic, Donmar Warehouse, Julie’s Bicycle, Pearson UK, Dancers’ Career Development, Metal Culture, Liverpool, British Library, Scottish Government Culture and Historic Environment Division, The Audience Agency, Creative United, eOffice, Design Business Association, Virgin Trains, Creative Europe, Bristol Media and the Bacc for the Future campaign.

What we have done, read, seen and particularly loved includes: Yerma at the Young Vic, Ira Glass masterclass at the Radio Independents Group, Standon Calling Festival, The Castle Builder at Summerhall, Angel at Gilded Balloon, Horniman Museum and Gardens, No Man’s Sky by Hello Games, Woburn Abbey, Georgia O’Keeffe at Tate Modern, Weiner, Pop-Up Duets at National Museum of Scotland, The Hunna at HMV Oxford Street, Alnwick Castle, The Deep Blue Sea at the National Theatre, Eden Project, Painting with Light at Tate Britain, Bamburgh Castle, Ron Arad’s Curtain Call at Roundhouse, Kew Gardens, Port Eliot Festival, What Do You Meme? at Holdron’s Arcade, The Complete Book of Aunts by Rupert Christiansen, Tintagel Castle, Pretentiousness by Dan Fox, Sicily: Culture and Conquest and Light, Time, Legacy: Francis Towne’s Watercolours of Rome at the British Museum, Be Mused: a collection of art from the community of the Queen Adelaide, Lost at Sea by John Ronson, Georgia Tasda’s Chicken Cottage Club at Lime Wharf, Mauritshuis in the Hague, Fram, Viking Ship and Kon Tiki museums in Oslo, Holy Island of Lindisfarne, Aladdin at the Prince Edward Theatre, Weiner Dog, The Arts Dividend by Darren Henley, Spinster: Making a Life of One’s Own by Kate Bolick, Me After You by Jojo Moyes, Bolshoi Ballet’s Swan Lake at Royal Opera House, Ayoade on Ayoade by Richard Ayoade, Married at First Sight (Australia) on 4OD, Toilet Humour at Doomed Gallery, Soul Train at Bussey Building, Victoria on ITV and Stranger Things on Netflix.

What we have attended includes: Karen Bradley, Culture Secretary, speaking at the Liverpool Philharmonic, Edinburgh International Culture Summit, London by Night: Our Disappearing Club Spaces at the Bussey Building, the Courier Design Issue launch, Federation of Scottish Theatre and Independent Theatre Council reception in Edinburgh, Calvert 22 launch for Power & Architecture Part 3, London’s autumn season launch at the Science Museum, CBI’s roundtable at Channel 4 on post-referendum priorities for the creative industries, ADCAN Awards, Creative Scotland reception in Edinburgh, Creative Europe’s Brexit event in Edinburgh and breakfast seminar on support for the cultural and creative sectors in London.


Membership of the Creative Industries Federation is open to companies, arts organisations, educational institutions, trade bodies, arts practitioners and other individuals, with a special rate for under-25s. For more information on joining our unique network, please call 020 3771 0350 or click here.


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Newsletter: Partnerships Deals, A Party and More Brexit Policy-Making

Dear Friends and Colleagues,

This is our final newsletter of the summer. Read on for our details of:

    •    Our new home and a special partnership deal
    •    The Fed in Edinburgh and more of our Brexit impact meetings nationwide
    •    Engineering and Ofcom at our Unique Breakfasts plus culture in Cornwall
    •    Members’ news 
    •    What we’ve done, who we’ve seen and where we're going on holiday. 

Best wishes,
John Kampfner, Chief Executive

Read more

Our New Home and a Partnership Offer

We are excited to announce that from tomorrow we have a new headquarters at 22, Endell Street, Covent Garden, London.

To mark this move, we're delighted to be able to offer a membership partnership with The Hospital Club. This is for Federation members only and for details click here. We plan to announce other partnerships in the course of the autumn and winter.

Debating Europe and Celebrating Creativity in Edinburgh

The Federation will take the post-EU referendum debate about what must be done to safeguard the arts and creative industries to Edinburgh next month. 

Following on from our meetings in London, Birmingham, Nottingham and Manchester, we will explore the priorities for negotiations on leaving Europe in the context of Scotland. The event on Tuesday August 23 will precede our joint reception with Edinburgh International Festival celebrating the creative industries.

EU response meeting
Tuesday August 23
Times: 1.30pm arrival, 2pm - 4pm
Venue: The University of Edinburgh Business School, 29 Buccleuch Place, Edinburgh, EH8 9JS

Register for the Edinburgh EU Response Meeting Here

The Federation's evening reception with the Edinburgh International Festival is by invitation only.  If you're interested in attending please get in touch with us directly here to express your interest.

Evening Reception
Times: 6pm - 8pm
Venue: Main Hall, The Hub, Castlehill, Edinburgh, EH1 2NE

 EU Response Meetings Continue Nationwide


The discussions on what must be done in the wake of the referendum result continues around the country as we seek to uncover what members need to know, what is already happening, and what the negotiating priorities are as we leave the EU.

There is still just time to register for the event at Manchester Metropolitan University which is taking place between 2pm and 4.30pm today.

The future sessions are:

Norwich: August 31, 11.30am-2pm, at Norwich University of the Arts

Swansea: September 6, 3.30pm-8pm (including reception), venue TBC

Bristol: September 7, 11am-1.30pm, at Colston Hall

Plymouth: September 8, 2pm-4.30pm, at Plymouth College of Art

Newcastle: September 15, 9.30am-12pm, at Sage Gateshead

These events are free to attend for members of the Federation.  

As part of our nationwide engagement on this important issue, we will reserve a small number of places at each meeting for organisations considering membership to participate. Please apply for a place in the same way but note that priority will be given to our members.

Register for Other Brexit Impact Meetings Here

Engineering, Ofcom and Creativity in Cornwall

The EU referendum vote required a rapid response but our normal events and engagement programme resumes this autumn with two Unique Breakfasts - our high-level brain fuel for members - and a major debate on creativity in Cornwall where we will extend an invitation to potential new recruits interested in what we do.

- Unique Breakfast with Naomi Climer
  President of Institution of Engineering and Technology

Date: Wednesday September 21
Times: 8.00am - 9.30am
Venue: TBA

For more information, click here.

- Unique Breakfast with Sharon White
  Chief Executive of Ofcom

Date: Wednesday, October 12,  2016 
Times: 8.30am - 10.00am
Venue: TBA

For more information, click here

- Creativity in Cornwall

Cornwall supports a density of creative businesses often found only in urban environments and there is evidence that these businesses are growing at a faster rate than others. Supported by the Cornwall and Isles of Scilly Local Enterprise Partnership, the Federation is bringing together a panel of experts to discuss the role of creativity in rural regions and identify how we can unlock the potential of the creative economy in Cornwall and the Isles of Scilly. For speakers, click here.

Date: Friday October 21 2016
Times: 9am arrival, 9.30am - 1pm
Venue: Heartlands, Robinson’s Shaft, Dudnance Lane, Pool, Redruth, Cornwall, TR15 3QY

To Join Us in Cornwall Click Here

What Our Members Are Doing

- The Royal Television Society London Conference 2016 speaker line-up will include fellow Fed members, the BBC, Channel 4, NBCUniversal and Sir Peter Bazalgette
- Nesta, with Creative England, has mapped the creative industries of the UK to provide a data resource highlighting the value of the creative industries and inform policies.
- On September 6, Sound Diplomacy, with U+I, are putting on the first conference, Sound Development, to explore the collaboration potential between property developers and the music and creative industries. Tickets:
- Hereford College of Arts principal Abigail Appleton uses graduation ceremony to warn of threats to creative education - read an extract here
- The Barbican Centre’s September highlights include Valentijn Dhaenens paying tribute to the art of speech-making in BigMouth.

Who We've Met, What We've Seen, Where We're Holidaying 

Who we have engaged with includes: Matt Hancock, Digital and Culture Minister, No 10, DCMS, Vicky Ford MEP, UKTI, UKIE, PACT, Museum of Wales, Weber Shandwick, London Open Workspace Providers Group, IAG, Sony Music, Brand Union, Edelman, Peters Fraser & Dunlop, Linley, Condé Nast, BT, National Theatre Studio "missing conversations” roundtable, impact of Brexit discussion with Lib Dem DCMS group in the House of Lords.

What we have done, read, attended and particularly loved includes: Littoral Light exhibition and Garsington Opera screening of Eugene Onegin on Ramsgate Beach as part of Ramsgate Festival, DBA Editions Dear Poster print workshop, Star Trek Beyond, BBC Proms 7: Fauré, Stravinsky and Poulenc, 11: Wagner and Tippet, 13: Lindberg and Beethoven, 16: Dukas, Berkeley and Prokofiev, Groundhog Day at the Old Vic, Latitude Festival, Flamenco show and a life drawing class in Madrid, Closer to the Veg at Fitzroy Park Allotments, National Gallery Inspiration Late, Richard III at Almeida Theatre, Royal Academy Summer Circus Late, Performer/Audience/Mirror at Lisson Gallery, The Rising Sun Collective, Horniman Museum and Gardens, The Vegetarian by Han Kang, Buckingham Palace Summer Opening: Fashioning a Reign exhibition, The Prime of Miss Jean Brodie by Muriel Spark, Podcast listening group (on the Guilty Feminist), Camposphere at the Resistance Gallery, dinner hosted by Mike Fries, president and chief executive and board of Liberty Global, and the launch party for Alasdair McLellan and Lev Tanju's The Palace.

Federation events: Unique Breakfast with Jesse Norman MP, Brexit discussion with MEP Vicky Ford, EU response events in Birmingham, Nottingham and Manchester.

And where we are going on holiday includes: Standon Calling and Reading festivals, Spain, Norway, Croatia, Devon, Cornwall, Sicily, France, The Netherlands and Russia.

The office is open as usual in August and we will be serving our members, but our next newsletter will be at the start of September. Have a great holiday period.


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July 2016

Newsletter: Creative Industries and the New Government

Dear Friends and Colleagues,

Read on for details of:

    •    Our policy priorities for the new government
    •    More of our Brexit impact meetings nationwide
    •    UK Advisory Council completes first year after International Advisory Council launch
    •    The view from Europe - meeting with MEP Vicky Ford
    •    Members’ news and other political engagement
    •    What we’ve done and who we’ve seen.

Best wishes,
John Kampfner, Chief Executive

Read more

Our Message to the New Government

The events of the last three weeks have changed everything. A radically re-shaped government is now having to work through all the consequences of the EU referendum.

Federation staff have already begun high-level meetings across Whitehall to secure answers and action on key areas including access to funding, freedom of movement of talent, trade and markets, DSM and IP protection.

As the Prime Minister completes her appointments, the Federation sets out key targets and priorities for the new administration:

1. Brexit negotiations to ensure the sector is at the heart of all policy-making
2. An integrated industrial strategy
3. A rounded education, including creative subjects, for individual development and
    social cohesion.

This builds on our existing policy work on issues such as the skills and talent pipeline, IP protection, funding, and nations and regions, where we look to identify and tackle the blockages to future growth and success.

Please read on for more Brexit impact meetings where we will continue to gather intelligence to inform this political engagement.

Brexit Impact Meetings - Nationwide

After our massively well-attended first Brexit impact meeting in London, the series continues around the country this week to uncover what members need to know, what is already happening, and what the negotiating priorities are as we leave the EU.

In addition to sessions previously announced, meetings in Norwich, Swansea, Bristol and Plymouth are now confirmed and more may still follow.

Birmingham: Today, Wednesday July 20, 3.30pm-6pm at Birmingham Hippodrome

NottinghamTomorrowThursday July 21, 12pm-2.30pm at The National Videogame Arcade

ManchesterJuly 28, 2pm-4.30pm at Manchester Metropolitan University

EdinburghAugust 23, afternoon, venue TBC

NorwichAugust 31, 11.30am-2pm, at Norwich University of the Arts

SwanseaSeptember 6, 3.30pm-8pm (including reception), venue TBC

BristolSeptember 7, 11am-1.30pm, at Colston Hall

PlymouthSeptember 8, 2pm-4.30pm, at Plymouth College of Art

NewcastleSeptember 15, 9.30am-12pm, at Sage Gateshead

These events are free to attend for members of the Federation.  

As part of our nationwide engagement on this important issue, we will reserve a small number of places at each meeting for organisations considering membership to participate. Please apply for a place in the same way but note that priority will be given to our members.

Click Here to Register for a Brexit Impact Meeting

Our UK Advisors Complete First Year as International Advisory Council Gets Under Way

The successful launch of our International Advisory Council under the chairmanship of diplomat Tom Fletcher was followed by a meeting marking the highly successful first year of its UK equivalent.

The UK Advisory Council met yesterday with policy priorities for the next year at the top of the agenda and will reconvene in the autumn with new members ensuring representation of all sectors and strong input from nations and regions.

For a reminder about the international launch, click here. To see the current membership of the UK body, click here.

The View from Europe - An MEP's Insight 

Having heard Vicky Ford MEP speak at a Parliamentary event, the Federation thought members would also benefit from an insider's view of Brexit as seen from Brussels.

Vicky Ford is chair of Internal Market and Consumer Protection (IMCO) at the European Parliament, the committee responsible for working through a number of the key proposals relating to the establishment of a Digital Single Market. 

We are inviting her to speak to members about the repercussions of Brexit as felt in Brussels and throughout the member states. It seems important when framing our new relationship with Europe that we understand the political and economic sensitivities of the other member states.

DateMonday July 25 
Times11am arrival, 11.30am - 12:30pm
Venue: TBC

Click Here to Register for Vicky Ford

Members' News and Political Engagement

- BBC Worldwide announced it had returned £222.2m to the BBC, up 17.6% on the year, with headline sales of £1,029.4m and headline profit of £133.8m

- The Scottish Government is calling for evidence in its enterprise and skills review here

- Mayor of London Sadiq Khan asks for members’ support to spread a message of inclusiveness and openness with the #Londonisopen campaign.

Who We've Met, What We've Seen, Where We've Spoken 

Who we have engaged with includes: Treasury, DCMS, CBI, Creative Entrepreneurs, Working Title Films, UK Music Network, MTArt, Double Negative, ITV, Sheffield Hallam University, Argonon, Weber Shandwick, Greater London Authority, Coventry University, Foundation for FutureLondon, Barclays, UKTI Sector Advisory Group, 21st Century Fox, British Fashion Council, Norwegian Government Council for Cultural and Creative Industries, Bombay Innovation Group, Film London, The Beautiful Meme. 

What we have done, read, attended and particularly loved includes: Georgia O’Keeffe at Tate Modern, Art Fund Museum of the Year ceremony at the V&A, Serpentine Gallery's summer party, First Night of the BBC Proms at the Royal Albert Hall, the Crafts Council Innovation Through Craft report launch at the RSA, Richard III at Almeida, Louise Nevelson at Pace Gallery, David Hockney and Summer Exhibition at the Royal Academy, Weiner, Ghostbusters, Laura Mvula at Somerset House, Names Not Numbers dinner, Jorge Otero-Pailos’ The Ethics of Dust for Artangel at Westminster Hall, Absolutely Fabulous: The Movie, The Truth at Wyndham’s Theatre, Ladylike at the Glory, Guys and Dolls at Phoenix Theatre, LCD Soundsystem at Lovebox festival, The Improbability of Love by Hannah Rothschild, Alex Katz: Quick Light at Serpentine Galleries, Urban Art 2016 in Brixton, Fury at Soho Theatre, Duckie DHSS at the Royal Vauxhall Tavern, Anohni at Barbican, Love Island, David Gray at Greenwich Music Time, Berlin’s Boros Collection, Berlinische Galerie and 9th Biennale for Contemporary Art and Museo Nacional Centro de Arte Reina Sofía and CentroCentro in Madrid. 

Events where we have spoken include: Communicating the Museum 2016 Conference in Berlin where, in a personal capacity, the Fed’s Anna Lowe discussed how new technology can support the reach and resilience of museums in the digital age.

Federation events: First Brexit impact meeting, at King’s College London; launch of the International Advisory Council and summer drinks.


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Newsletter: New Brexit Impact Meetings and Fed International

Dear Friends and Colleagues,

As Theresa May takes office, the Federation looks forward to working with the new prime minister and her team at what is a crucial time for the sector.

And it could not be more appropriate that today we are launching our International Advisory Council and our international work.

Now that the UK has taken the historic decision to leave the EU, it is more important than ever to ensure that the sector learns from best practice around the world. Members have been sent the first copy of C.International, our new journal offering insight, comparisons and case studies. Read on for more details. As we offer an international perspective, we are also continuing to develop a Brexit action plan for the new Government. After our dynamic opening session in London, further members' meetings nationwide are detailed below. Best wishes,

John Kampfner, Chief Executive

Read more

The Federation today launches its International Advisory Council - and warns Britain has lessons to learn from around the world if it wants to safeguard its position as a global cultural powerhouse.

The International Advisory Council is intended to discover and share examples of best practice, policy and innovation in the arts, creative industries and cultural education worldwide with the aim of harnessing opportunities and measuring risk.  

The work was planned long before the EU referendum, but has taken on added urgency in the light of the decision to leave. 

Chaired by the diplomat Tom Fletcher, the council will be a mix of UK-based experts with an international perspective and experts from overseas. 

Tom Fletcher said: “As a diplomat, I have seen the huge power and potential of the UK's extraordinary creative industries. I am excited at the prospect of playing a more active role in ensuring we continue to be a world leader.

“The 21st century will throw huge change at us. The strongest economies will be those that prioritise their creative industries. This is the urgent and vital task ahead of us."

Click here to read the press release


Brexit Impact Meetings - First Details Announced

Our series of nationwide events to work out the ramifications of Brexit and what must be done to safeguard the arts, creative industries and cultural education continues next week.

Our first meeting in London, on July 7, raised a whole series of questions, ideas and proposals on issues including trade, access to funding, strong IP protection and freedom of movement of talent. We also began the discussion about whether the arts and creative industries can help engage all communities.

We are now taking the talks further to explore what issues need to be addressed across the whole country. The aim is to learn, to marshal experience and opinions and to come to decisions about the way ahead. The meetings will be small, focused and intensely practical.

We are pleased that we will be joined at the Manchester event by Sir Richard Leese, the leader of Manchester City Council.

Details of confirmed meetings are as follows:

Date: Wednesday July 20
Times: 3.30pm arrival, 4.00pm - 6.00pm
Venue: The Birmingham Hippodrome, Hurst St, Southside, Birmingham B5 4TB

Date: Thursday July 21
Times: 12pm arrival, 12.30pm - 2.30pm
Venue: The National Videogame Arcade, 24-32 Carlton Street, Nottingham NG1 1NN

Date: Thursday July 28
Times: 2.00pm arrival, 2.30pm - 4.30pm 
Venue: Manchester Metropolitan University, The Ormond Building, Manchester M15 6BX
In partnership with Manchester Metropolitan University and Design Manchester. 

Date: Tuesday August 23
Times: TBA
Venue: TBA

Date: Tuesday September 6
Times: TBA
Venue: TBA

Date: Wednesday September 7
Times: TBA
Venue: Colston Hall, Colston Street, Bristol BS1 5AR

Date: Thursday September 15
Times: 9.30am arrival, 10am - 12.00pm
Venue: Sage Gateshead, St Mary's Square, Gateshead Quays, Gateshead NE8 2JR

Other locations are planned to include Plymouth and Leeds. Details will be released in due course.

These events are free to attend for members of the Federation.  

As part of our nationwide engagement on this important issue, we will reserve a small number of places at each meeting for organisations considering membership to participate.  Please apply for a place in the same way but note that priority will be given to our members.


RSVP to join a Brexit Impact meeting here






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Newsletter: Preparing for the Future and Celebrating IP

Dear Friends and Colleagues,

Please read on for details of:

- Speakers for our urgent EU meetings
- The launch of the Creative Industries Council's new five-year strategy
- What we said as MPs debated the EBacc 
- The Fed's summer drinks
- Celebrating British intellectual property.

Although many were disappointed by the referendum result, the challenge now is to ensure that the sector continues to thrive and grow. Next month, we launch our new International Advisory Council and the first C.International, our new horizon-scanning journal offering insight for members.

As our team expands, we have created a new post of UK policy engagement manager. Hallie Humphries will have a dedicated brief to support our existing and future member organisations outside London.

There has never been a more important time for us to be working together. We have had a surge of interest in membership as the need for a professional fighting force for the sector becomes ever clearer. The greater our membership the more informed we can be and the greater the traction in getting things done. If you haven't already, do join us.

Best wishes,

John Kampfner, Chief Executive

Read more

Plotting a New Route Forward

This Thursday will be the first of our urgent meetings designed to plot a way forward for all our members after the EU referendum result.

The aim is to provide insight, establish what our members need to know, and develop a course of action to ensure that the UK’s current success in the arts, creative industries and cultural education can now be secured. The sessions will be intensely practical.

The experts for the first event include:

- Fabrice Montagné, chief UK and senior European economist for Barclays
- Jenni Russell, political commentator, The Times
- Darren Henley, chief executive, Arts Council England

The logistics are as follows:

Date: Thursday July 7, 2016

Time: 11.00am arrival for 11.30am start. End by 2.00pm.

Venue: King’s College London, Great Hall, Strand, London WC2R 2LS

If you have not already done so, please register to attend. New members will be welcome.

Other meetings will follow across the nations and regions, with current plans including Edinburgh, Wales, Bristol, Leeds, Manchester and Birmingham. The aim will be to produce a set of proposals for the new government by September.

Register to Attend London Meeting Here


Create Together - New Five-Year Strategy for Growth

The Federation is pleased to back the new five-year strategy from the Creative Industries Council, the partnership of industry and government.

Launched yesterday at the House of Commons, Create Together is a blueprint to cement the UK’s status as a global hub for commercial creativity. It outlines plans to grow exports and encourage creative businesses to scale up and for the role of the creative industries in the UK regions.

The CIC and Federation both agree that the creative industries are well placed to address the opportunities and challenges created by the Leave vote.

Nicola Mendelsohn, co-chair CIC and VP EMEA Facebook, said: “The UK’s creative industries are open for business as usual. We now believe we can be instrumental in shaping the new growth agenda in the post-Brexit world and play an important part in economic development of all parts of the UK.”

Federation chief executive John Kampfner, who sits on the CIC, said: "We're delighted to welcome the launch of the CIC strategy. It is crucial that the Government listens to the creative industries and does everything possible to secure access to markets and to talent if we are to safeguard the jobs, the growth and the success of our amazing sector."

To read the CIC strategy, click here.


What We Said About EBacc

We welcome the debate held in Parliament yesterday on the EBacc - but hope it is just the start of a new discussion on education.

For those Federation members who have not followed the issue, the EBacc requires pupils to study a minimum of seven GCSEs, but the options do not include any creative subjects.

We are exceptionally concerned about the message this sends from the Government about the value and importance of creative subjects. We are further concerned that the marginalisation of creative subjects in schools will exacerbate existing skills shortages in the sector. We briefed several of the MPs who spoke on the subject to flag our worries.

John Kampfner, chief executive of the Creative Industries Federation, said: “The EBacc debate’s a moment to focus on a key issue for the UK economy - whether we are giving generations of schoolchildren an education that prepares them for fulfilling lives and careers and whether we are building the skilled workforce of the future.

“A narrow, traditional curriculum not only does a disservice to many students but can only exacerbate existing skills shortages in jobs such as animation and special effects - jobs that young people would want to do. Other industries, such as engineering, that require a similar mix of creative and technical skills, are also affected.

“We hope the EBacc debate is only the start of a serious discussion on how to achieve the best education for our young people and the future of the British economy. The creative industries are currently the fastest growing sector but a proper creative education is crucial to maintaining that success."

The creative industries are worth £84.1bn GVA to the British economy and grew by 8.9 per cent in 2014, nearly twice as fast as the economy at large. Employment in the creative industries has grown by almost 20 per cent in the last five years.


Summer Drinks Update

We are thrilled so many of you want to raise a glass with us at our first summer drinks next week. But as space is limited, if you find you are unable to attend at the last minute, do please tell us. And if you have not yet made your request for a place (and are a member), do likewise.

The reception will coincide with the launch of our biannual international research journal, C.International, which will give members an insight into what’s going on in the arts, creative industries and cultural education around the world and potential developments for our sector.  

On the evening, we will be joined by the chair of our new International Advisory Council Tom Fletcher - foreign policy advisor to three prime ministers and former British ambassador to Lebanon. 

Date: Wednesday, July 13, 2016

Time: 6:30pm - 8:30pm

Venue: The Hospital Club, 24 Endell St, London WC2H 9HQ

This event is free for Federation members to attend. To register your interest, please RSVP.

RSVP for Summer Drinks Here


Celebrate British IP Day - Today

The Alliance for Intellectual Property has created British IP Day to celebrate the best of British creative talent and IP from writers to games developers, designers to brands, and all points in between.

Some of those creators and business owners are meeting their MPs to explain why IP matters, at both a local and national level, and why policy across government needs to help nurture, support and protect that creativity. Baroness Neville-Rolfe, minister for intellectual property, will tonight present the first IP Champion award at a reception in Parliament.

Follow events on Twitter via #BritishIPDay and @AllianceIP


Who We've Met, What We've Seen, Where We've Spoken 

Who we have engaged with includes: Blackpool Council, Knowsley Metropolitan Borough Council, Birmingham City Council, Cambridge City Council, Durham County Council, The Hepworth Wakefield, Paul Mellon Centre, The Art Fund, Harewood House near Leeds, The Piece Hall in Halifax, Bradford City Council, EY, Tech UK, BBC Sport, MPL Limited, London Film School, Core Education Trust in Birmingham, Yorkshire Sculpture Park, Repucom, Yorkshire Festival, Isobel Griffiths Limited, Pinewood Studios, Alliance for IP, Publishers Association, Channel 4, Greater London Authority, Goldsmiths, Sage Gateshead, Careers Enterprise Company, Shakespeare’s Globe, DCMS, BIS, No10, Mishcon de Reya, Arts Council England, Facebook, Radiocentre, The Kazimier in Liverpool, Cultural Organisations of Liverpool, Equity, Cosmopolitan, Mediacom, Crispin Porter and Bogusky, European Association of Communications Agencies, Hearst Magazines, Grey London, Virool, University of Edinburgh, Barclays, Creative Industries Council, Science Museum Group, WN Sync in Liverpool, Edinburgh TV Festival.

What we have done, read, seen and particularly loved includes: SOHO at National Centre for Circus Art in partnership with Stufish Productions, Yorkshire Festival: Stanley Spencer, David Storey and Stephen Sutcliffe openings at The Hepworth Wakefield; Imran Qureshi - Garden Within a Garden opening at Cartwright Hall, Bradford, England -v- Wales with BBC Sports and Premier League, Phaedra(s) and The Shadow King at the Barbican, David Hockney at Royal Academy, Rake, Powers, Game of Thrones, Midnight Special, Everybody Wants Some, Bill Cunningham: New York, The Magic Flute streamed from New York Met, Tom Fletcher’s Naked Diplomacy, Hannah Rothschild’s The Improbability of Love, Nina Stibbe’s Man at the Helm, Razed: Syrian ruins exhibition in aid of the White Helmets by Arthur Laidlaw, OXO Tower Wharf, National Summer Club Summer Show private view at Somerset House, Masterpiece, Engineering the World: Ove Arup and the Philosophy of Total Design at V&A, Hampstead Affordable Art Fair, Sculpture in the City 2016 launch, Art Night 2016, Old Vic Summer Gala, Fork to Fork food festival at ARK Franklin Primary, NW6 (organised by member Thomasina Miers), Royal College of Art Show 2016, Painter's Paintings at National Gallery, BP Portrait Award at National Portrait Gallery, Jeff Koons at Newport Street Gallery, all in London, Guildford School of Acting MA graduate show Avenue Q, Francis Bacon at Tate Liverpool, London Collections Men, and receptions for the V&A, the opening of the new Tate Modern, Policy Exchange, London Essays, UK Music, Barbican, the investiture of Kevin Spacey, the launch of CIC's Create Together, Julia Peyton-Jones’ farewell to the Serpentine Galleries and Barclays Bank marking 30 years in media. And still enjoying Roll 7's Not A Hero and the return of Oasis' 'O Refreshing Stuff' advertising campaign.

Events we have held or where we have spoken include: International Festival for Business in Liverpool, Chief Cultural and Leisure Officers Association AGM in Telford, European Literature Network workshop in London, New Thinking, Essential Change in the Creative Industries conference in Birmingham, discussion panel on EBacc at New Designers fair, London, and CEO roundtable, Cannes Lions Festival in Cannes.  

Federation events: Unique Breakfast with David Abraham, chief executive, Channel 4, London Tech Week event with Digital Catapult and Tech London Advocates on how startups can partner with bigger organisations, business of creativity panel at International Festival for Business, Liverpool.

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June 2016

Urgent EU Meetings - and Note from our Chairman

As the UK begins the process of leaving the European Union, the consequences for the creative industries - the fastest-growing sector of the economy, the driver of regeneration and the calling card for our nation around the world - could not be more acute.

It has never been more important for our amazing creative community - which employs more than 5 million people in all the nations and regions, from an army of freelancers to iconic arts institutions to multi-national companies, to our world-beating universities - to come together.

We need to make sure that the issues that our members raised during the referendum campaign are understood and represented by those negotiating the new future for Britain. These include access to markets, access to regional and sector-specific funding, strong IP protection and freedom of movement of talent. 

We need to look at the ramifications for the sector of broader economic uncertainty. We also need to analyse the fractured geography of our country and ask whether the arts and creative industries can help engage all communities.

The Creative Industries Federation plans to host a series of events around the country to bring the sector together, to learn, to marshal experience and opinions, and to come to decisions about the way ahead. These events will be no-frills, sleeves-rolled-up and intensely practical.

Register your interest in attending here

We will host the first meeting in London on July 7. The venue and other details will be announced shortly. The timings will be approximately 11.30-14.30. Other meetings will follow across the nations and regions, concluding by mid-September, ahead of the formation of a new government.



To become a Federation member, click here

If you are willing and able to host any of these meetings and assist in planning, please contact Katie Banham, head of events, on or 020 7849 3306. We will circulate a draft agenda in advance of each meeting. So if you have issues you want discussed, any questions you want asked or any insight to share, please contact Harriet Finney, director of policy, on or 020 7849 3309.

The Federation's members voted 96% to stay in the EU in our own survey and many added detailed comments. Some members were unable to express a view, or chose not to. And 4% supported Leave. You all have a voice.

We have spent the days since the referendum in contact with Whitehall departments, with the Scottish government and with the London Mayor's office to begin discussing next steps. That work will intensify.

Best wishes,

John Kampfner
Chief executive


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Federation: EU Referendum Response

Dear Friends and Colleagues,

The Creative Industries Federation today pledges to play a positive role in safeguarding the future of the UK’s arts, creative industries and cultural education and their significant contribution to the economy in light of the decision to leave the European Union.

John Kampfner, chief executive, said: “As the UK creates a new identity and a new position on the world stage, our arts and creative industries - the fastest growing sector in the economy - will play an important role.

“It will be vital for all sides to work together to ensure that the interests of our sector on issues including access to funding and talent are safeguarded as the UK forges its new relationship with Europe. The importance of British culture in representing our country to the world will be greater than ever.” 

After a campaign that highlighted deep social, geographic and economic divisions, the role the arts can play will be significant. “Within the UK, we will play our part in helping to bridge divides within and between the nations and regions of the country.”

The Federation, which held a high-profile debate on the EU in April, and whose members' poll showed an overwhelming vote in favour of remaining, plans to hold a series of events to engage the creative community on charting a way ahead. Details will be released shortly.

The Federation’s members' survey showed more than 96% support for Remain, with 4% in favour of Leave*. (A number of Federation members were by statute unable to participate in the poll. These included members in receipt of government funding, those that are arms-length governmental bodies, such as Arts Council England or Creative Scotland, or have public service broadcasting obligations.) 

For more details of members' reasons for wanting to stay and the launch of the findings with Prime Minister David Cameron click here.

The Federation has played a prominent role in major issues affecting the UK’s cultural sector since its launch 18 months ago.

Last autumn, in conjunction with partners, we secured a better-than-expected funding settlement for the publicly-supported arts and in the past few months we have worked to ensure the continued strength of the BBC and particularly its role within the creative industries ahead of the publication of the Government’s White Paper. We will continue to represent the interests of members across national, devolved and local government and beyond on ongoing issues including creative education and access to finance.

The creative industries were worth £84.1bn to the economy in 2013-2014 and grew by 8.9 per cent - almost double the rate of the economy as a whole. Europe is currently the largest export market for the creative industries, taking 57% of all overseas trade.

John Kampfner
Chief Executive

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Our EU Evidence - Please Read and Share

Dear Friends and Colleagues,

On Thursday, UK voters go to the polls to make the biggest political decision the country has faced for decades. The Federation will be ready to act whatever the result.

We surveyed our members and 96 per cent backed Remain for reasons ranging from freedom of movement of talent to ERDF and other EU funding and the desire to be at the table for crucial IP negotiations. 

Click here for a summary of the case, in the words of members who took part in the poll and the EU referendum hustings we held.

Whatever happens, the fallout of this divisive campaign means the next few months, at least, are likely to be rocky. At a time of increased political uncertainty, there is a greater need than ever for a united voice to put the case for the arts, creative industries and cultural education at the heart of government thinking on the future growth and success of the UK economy. Please feel free to forward this email and share the evidence from our members with your own networks. We will be issuing our response to the referendum result on Friday. Best wishes,

John Kampfner, Chief Executive


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May 2016

Newsletter: National and International

Dear Friends and Colleagues,

Please read on for:

- Details of our new international journal and summer launch party
- Fed recruitment - exciting new roles as we develop our work nationwide
- Unique Breakfasts with Channel 4's David Abraham and Jesse Norman MP
- Other events including International Festival for Business and London Technology Week 
- Updates on our EU initiative with the Prime Minister, the BBC White Paper, what we learned in Wales and the first meeting of the Fed's working group on finance and funding.

Read more

Best wishes,

John Kampfner, Chief Executive

July 13 - The Federation Goes International

The Federation will publish the first edition of our twice-yearly new journal for members on July 13, offering a perspective on good practice and innovation around the world.

It will coincide with the launch of our international advisory council under Tom Fletcher, who was foreign policy advisor to three prime ministers (2007-2011), and be celebrated with a summer drinks party for members. For more details, click here

The Federation is Hiring
With so much to do and much more that is possible, we are looking to recruit enthusiastic, flexible, committed and talented new members of staff to our hardworking and passionate team.

Click here for details of what we want in our new digital content and social media officer.

And click here for information on becoming our UK policy engagement manager.

As we expand further, we are likely to reinforce our policy, research, comms, events and membership teams. If you want to make a general inquiry, please email us here.

Unique Breakfasts with Channel 4 and Jesse Norman MP

For the first in our series of Unique Breakfasts, David Abraham, chief executive of Channel 4, will discuss the future of the organisation. 

Following publication of the White paper on the BBC, attention has turned to Channel 4 as the Government examines options around changes to its remit, model and ownership structure and what these would mean for broadcasting. 

For more details and to register interest in this breakfast, on Thursday June 16, click here.

Jesse Norman, the chair of the culture select committee, will be the next guest speaker for this series. On July 12, he will discuss the thinking behind the committee's new inquiry, Countries of Culture. For more details and to register interest in this event, click here.
Business in Liverpool and Creative Tech in London

The Federation is delighted to be helping put the creative industries at the heart of the International Festival for Business in Liverpool next month.

We are hosting a panel on business and creativity where panellists including Rosy Greenlees, executive director of the Crafts Council, and Dr Rachel McLean, director of Liverpool Screen School at Liverpool John Moores University, will discuss how creative thinking at the heart of business leads to success - often in surprising and unexpected ways. This is open to non-members and complimentary.

For more details click here and for the latest IFB2016 newsletter click here.

There are also a limited number of places available on June 22 for Federation members at a special London Technology Week session - presented with Tech London Advocates and Digital Catapult - on how start-ups can successfully partner with larger established companies. For details and to apply click here.

* Don't forget to hold the date of the evening of August 23 for our first event with the Edinburgh International Festival. More details will follow shortly.

Europe, the BBC, Wales and Finance - Key Updates

- For those who missed it, click here for the results of our members' poll on Europe and our roundtable discussion about them with the Prime Minister.

- We held three seminars on the future of the BBC and the consequences for the arts and creative industries and made a submission. Our observations on the resulting White Paper can be foundhere.

- You can see pictures here from our first major event in Wales, at the Cardiff School of Art and Design, where Phil George, the new chair of the Arts Council of Wales, told of his hopes for bringing together the arts and creative industries to achieve greater success. To read his speech, click here.

- The first meeting of the Federation finance group - which is set to look at all issues of fundraising and finance over coming months - took place on May 5 and examined issues including corporate sponsorship, philanthropy and Gift Aid. More updates will follow.

Members' News and Special Offers
- SohoCreate festival in London will bring together the UK’s top creative minds for a week of talks, workshops, pop-ups and parties from June 6-10. More information on the line-up can be foundhere and Fed members can get discounted tickets.

- New Designers 2016 will showcase work by 3,000 recent design graduates including many from Federation members at the Business Design Centre, London. Running in two sessions from June 29-July 9, this is your chance to recruit top talent and spot new trends. Details here. Members get a discount.

- Iwona Blazwick, of the Whitechapel Gallery, and the artist Bob and Roberta Smith are among the speakers for a discussion at the Foundling Museum, London, on June 8 on artists and collective action, details here. We have a few tickets to offer.

Full details of the offers and discounts will be sent to members in a separate mailout.

* Members: feel free to send us details of your events and activities for inclusion
Who We've Seen and What We've Done
Who we have engaged with: No.10, HM Treasury, China British Business Council, Wales Millennium Centre, Founders Forum, Taylor Wessing LLP, English National Ballet, Bates Wells Braithwaite, Gloria De Piero MP, DCMS,  Beggars Music, Natural History Museum, UCL, Creative Entrepreneurs, Arts Council England, Liverpool City Council, City Hall, the All-Party Parliamentary Group on Youth Employment. V&A, Lord Puttnam, Calouste Gulbenkian Foundation, Arts Professional, Mark Borkowski, Royal Drawing School, University of Liverpool, BBC, Society of London Theatre, Henry Moore Foundation, Simkins LLP, Somerset House Trust, Generation Investment Management LLP, Liverpool Arts Regeneration Consortium, Directors UK, Baroness Beeban Kidron, The Stronger In Campaign, Google, Havas, Bauer Media, Esmée Fairbairn Foundation, London Theatre Chairs, National Museum Wales, Penguin Random House, Sutton PR, Henry Moore Foundation, Lord Freyberg, Colston Hall, Bristol, Paul Hamlyn Foundation, Museums Journal, National Portrait Gallery and Doughty Street Chambers.  

What we have done, read, seen and particularly loved:

Kings of War, Max Richter, Strange and Familiar, Imran Qureshi: Where the Shadows are so Deep, and LSO performing The Dream of Gerontius, all at Barbican, Art 16, Photo London at Somerset House, Ali Smith and Eimear McBride in conversation with Kate Mosse, both at the Bailey's Prize pop-up book bar, Cloud Gate Dance Theatre's Songs of the Wanderers at Sadler's Wells, Gang of Youths at Electroworks, Botticelli Reimagined at V&A, Matilda the Musical at Cambridge Theatre, Punk 1976-78 and Shakespeare in Ten Acts at the  British Library, The Collected Short Stories of Saki, H.H. Munro, The Green Road by Anne Enright, The Glorious Heresies by Lisa McInerney, Unritual II at Lime Wharf, Chatsworth House, The Caretaker at the Old Vic, Yinka Shonibare at Turner Contemporary, Captain America: Civil War, Royal Ballet’s The Winter’s Tale at the Royal Opera House, Great British Graphic Novel at the Cartoon Museum, Boy at the Almeida, Painting for Beginners at the Art Academy, London Original Print Fair, Alex Edelman at Soho Theatre, Sluice_ Art Fair at the Averard Hotel Talks, Handel's Israel in Egypt at Westminster Abbey, Magic Words: the Extraordinary Life of Alan Moore by Lance Parkin, Bold Tendencies, Forge North at Camden People’s Theatre, Me Before You, Bug at Theatre 111, Our Kind of Traitor,  Elegy at Donmar, Wiretapper all across London, the Groeningemuseum in Bruges, Minoan ruins at Akrotiri and the Archaeological Museum and Museum of Prehistoric Thira in Fira, Santorini, Denmark's Louisiana Museum of Modern Art, and the Acropolis Museum, the Snehta Residency and the Benaki Museum in Athens. 

What we have attended: The Mayor of London's Cultural and Creative Welcome Reception at City Hall, Eastern Eye Arts, Culture and Theatre Awards, inaugural Asian Voice Charity Awards, London Evening Standard Oscar's Book Prize, farewell drinks for Caroline Miller at Dance UK, and the launches of the VSO's 'Shakespeare Lives in 2016' project and the Rothschild Foundation's Illuminated River initiative. 

What we have been working on: Our working group on sponsorship and philanthropy, announcing our Europe poll survey with the Prime Minister, speaking at Culture Forum North and on diversity at The Photographer's Gallery.

Federation staff have also been working on their own creative projects outside of the office: Eliza has launched - a website featuring interviews with creative practitioners and a more informal take on policy issues; Anna has launched SMARTIFY - a free app for museum and gallery-goers that uses super-fast image recognition technology to identify artworks, allowing visitors to discover to share their responses and access varied commentary. Read more here

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Our response to the BBC White Paper

Creative Industries Federation broadly welcomes outcome of BBC White Paper

The Creative Industries Federation broadly welcomes the outcome of today’s government White Paper on the future of the BBC. While there are important specific issues still to resolve, the Federation sees the potential for a more stable and ambitious future for the BBC, which will benefit not just the Corporation itself but also the UK’s broader creative sector.

The Federation notes that the BBC’s role and obligations at the heart of the UK’s creative industries have been expressly recognised for the first time. The BBC is a huge contributor to the success of the UK’s arts and creative industries, investing £2.2bn in the sector in 2013/2014.

This theme was at the heart of three events conducted by the Federation in autumn 2015 in Salford, Birmingham and London, at which Lord Hall, Director General, and Rona Fairhead, Chair of the BBC Trust, had the opportunity to hear the views of the broadest cross section of Britain’s creative sector. The views of our members gathered at these events formed the basis of our submission to the Government’s Green Paper.

Among the many related announcements in the White Paper, the Federation broadly welcomes the funding settlement for the BBC, the enhanced commitment to diversity, the requirement better to reflect all the nations and regions, and the agreement to an 11-year Charter, which gives the BBC and its partners the long-term stability they need to meet future challenges.

The Federation, alongside other partners, is concerned about some aspects of proposed appointments to the new unitary Board. We will continue to keep a watching brief on developments in coming months.
John Kampfner, Chief Executive of the Creative Industries Federation, said: “The BBC is the largest investor in culture in the UK and has an important role in training the next generation; we are pleased therefore that the White Paper preserves and underpins the BBC’s role in ensuring that the UK’s arts and creative industries continue to flourish at home and abroad.” For further information, please contact Jack Powell on 020 7849 3300 or

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David Cameron Meets the Fed as Members Vote Remain

Dear Friends and Colleagues, 

Today we launched the results of our EU survey. Thanks to so many of you for taking part and for giving your detailed responses. 

The poll showed more than 96% support for Remain among our members, with barely 4% in favour of Leave*.

The results were welcomed by the Prime Minister today as he met Federation board members and other key figures from the sector to discuss the forthcoming EU referendum and the needs of the creative industries.

Read more

These included Sir John Sorrell and John Kampfner, chair and chief executive of the Creative Industries Federation, arts leader Jude Kelly, Deborah Bull, assistant principal of King's College, London, the games entrepreneur Ian Livingstone, theatre director Sir Nicholas Hytner, Amanda Nevill, chief executive of the BFI, Kanya King, founder and chief executive of Mobo, the artist Sir Anish Kapoor, actor Dominic West, film director Tom Hooper, Harry Potter film producer David Heyman, David Joseph, chairman and chief executive of Universal Music UK, Eric Fellner and Tim Bevan, the co-chairmen of Working Title Films, Labour's Baroness Jowell and Culture Minister Ed Vaizey. The discussion took place at Abbey Road Studios in London this morning.

David Cameron said: “When it comes to creativity, British talent and expertise has made this country the envy of the world. Whether it is music or film, art or video games, the UK leads Europe. More than most, this is a sector that thrives on being open to the world outside. Whether it’s bringing in talent, filming on location or simply having access to the Single Market of 500 million people across Europe.
“The results of Creative Industries Federation’s survey are clear: we are better off in a reformed European Union than out on our own. To leave would be a leap in the dark.”
Publication of the results coincided with an open letter by hundreds of leading figures from across the arts calling on the British public not to embrace Brexit.

The Federation survey also showed that 84% of members believed the outcome of the vote on June 23 was important to the future success of their organisation.
Among reasons cited for this vote of confidence in Europe were:

- Access to EU markets and influence - the EU is the largest export market for the UK creative industries, totalling 56% of all overseas trade in the sector. It is vital that Britain is able to influence regulatory decisions which may have a bearing on future trading, such as the current discussions around the Digital Single Market.
- Access to EU funding  - the Creative Europe programme has provided support for films such as The King’s Speech, The Iron Lady and Slumdog Millionaire. ERDF has made grants to arts organisations in the regions, including Sage Gateshead, Manchester’s HOME and Falmouth University. In addition, Federation cultural education members benefit from the €80bn innovation fund, Horizon 2020. All this could be imperilled.
- Movement of talent - the UK is a creative hub. Close collaboration with EU partners is key to Britain maintaining this position. From orchestras to art schools to architecture firms, the UK’s creative industries are enriched by the diversity of cultural exchange and strengthened by the movement of talent across the EU.

John Kampfner, chief executive of the Creative Industries Federation, said:  “Our members have sent a clear signal about the importance of EU membership for the continued success of the UK’s fastest-growing sector.”
Sir John Sorrell, chairman of the Creative Industries Federation, said: “The UK creative industries are key to the way we are seen by the world and deliver a massive £84.1bn to our economy. Our position as a vital European creative hub is a huge part of this success - we benefit from a vast network of talented people, companies and institutions across Europe.”
Jude Kelly, arts leader, said: “European partnerships, people and ideas have combined with the UK’s creative industries to make us a world leader. I believe in the strength of this unity and want to continue being open, curious and fully involved in Europe's hopes, dreams and challenges.”
Tom Weldon, chief executive of Penguin Random House, said: “The EU has helped the UK to become a creative powerhouse, thanks to our ability to trade freely with 27 other countries in Europe and through the EU laws which help protect intellectual copyright, without which we would not have a creative industry at all.”
Ian Livingstone, chairman of Sumo Digital, said: “The UK video games industry is a good news story about intellectual property creation, exports and growth in a global market worth in excess of per annum. EU membership brings us unrestricted access to 560 million potential customers.”
Nigel Carrington, vice-chancellor of University of the Arts London, said: “Freedom of movement is a fundamental driver of success for students, staff and researchers. As far as I am concerned, the relationships and partnerships forged through European mobility are of massive benefit to students and universities.”
Sir Nicholas Hytner, co-founder of London Theatre Company, said: “Creativity knows no borders. Theatre, like all the creative industries, thrives on the free exchange of talent, of ideas, of inspiration and the EU enables this. Why would we want suddenly to impose borders on this free exchange of talent and ideas?”
Joanna Baker, managing director of Edinburgh International Festival, said: “Founded following the Second World War, the Edinburgh International Festival is an important example of the power of international cultural exchange to unite people – a principle which also lies at the heart of the European Union.”

Chris Hirst, CEO UK & Europe of Havas, said: “In an increasingly global business world, advertising and the creative industries as a whole cannot afford to be on the outside. An 'Out' vote would affect our ability to entice talent and to land global accounts here in the UK. It cannot be in our best interests to act like an island in such a connected world.
Jo Dipple, CEO of UK Music, said: “We export over 60% of the music made in the UK and the EU single market has helped British music become a world leader. There can be no question that leaving it will have a significant impact, be that short- or long-term.”
Richard Mantle, general director of Opera North, said: “Leaving the EU could leave the UK culturally isolated, an issue for all cultural organisations, but especially for those working in opera - a fundamentally European art-form. It would diminish our burgeoning cultural voice, which should be at the heart of European culture."
Professor Anne Carlisle, vice-chancellor of Falmouth University, said: “With EU support, universities generate local growth and jobs through support for projects which build new companies, foster entrepreneurship and increase wages.  This is nowhere more evident than in Cornwall. Falmouth University has been a major beneficiary of EU funding which has only benefitted the Cornish economy.”
A joint statement was issued by 
Sir Nicholas Kenyon, managing director of Barbican
Mark Boleat, chairman of the City of London’s Policy and Resources Committee
Professor Barry Ife, principal of Guildhall School of Music & Drama
Kathryn McDowell CBE, managing director of the London Symphony Orchestra
Sharon Ament, director of the Museum of London:
“As leaders of a creative alliance that aims to maintain and enhance the City of London’s position as an internationally renowned centre for the arts, heritage, learning and entertainment, we are committed to the UK’s continued membership of the European Union, which plays a major role in ensuring the UK’s position as an international cultural powerhouse.”
Tom Inns, director of Glasgow School of Art, said: “Don’t underestimate how significant European funding, networks and ideas are for UK culture and creativity. A vote for Brexit would really put the country in the cultural slow lane and will do nothing for the UK’s thriving creative economy.”
Dave Moutrey, director and chief executive of HOME in Manchester, said: “Leaving the EU would be a big mistake with a huge cost. HOME and many other cultural organisations benefit significantly from EU financial support, while the free movement of ideas, products and creatives is key to making the UK such a creative place to live and work.”
Andrea Stark, chief executive of High House Production Park in Thurrock, said: “Our new costume centre would not have been possible without support from the European Regional Development Fund - crucially it unlocked the other funds necessary to make this development happen. The Bob and Tamar Manoukian Costume Centre will house costumes for Royal Opera House productions, and a new BA (Hons.) degree course in costume construction will be delivered from the centre’s bespoke workrooms.”
Russ Shaw, founder of Tech London Advocates, said: “The UK’s world-leading creative tech sector has blended arts and creativity with technology to create world-leading video games, digital fashion innovations and adtech products. Companies benefit from being in the EU for talent and private sector investment, which is why 87% of Tech London Advocates back remaining in the EU.”
Brett Rogers, director of The Photographers’ Gallery, said: "The Photographers' Gallery has a rich history of identifying, showcasing and championing talent from across Europe. We strongly believe that an exit from the EU would affect our ability to support the diversity of photographers and the collaborative work we pride ourselves on."
Linda Merrick, principal of the Royal Northern College of Music, said: “EU students bring distinctive musical and cultural backgrounds to the RNCM, enriching learning for everyone and establishing lifelong musical relationships. Students return to their home countries as powerful advocates for the UK’s cultural and education sectors.”
Mark Pemberton, director of the Association of British Orchestras, said: “British orchestras need open borders to tour to other European countries, providing a vital source of income at a time of diminishing public investment at home.”
John Tulip, managing director of Northern Film and Media in Newcastle-upon-Tyne, said: “Like many organisations in our creatives industries, we would have shut down without backing from the European Regional Development Fund. Whether the imperative is economic or cultural, the case for remaining seems from our perspective to be overwhelmingly clear.”
Paul Williams of Stanton Williams said: “It is quite obvious that the architecture industry will be badly damaged if the UK leaves the European Union. Although an island, culturally Britain is inextricably woven into the fabric of Europe’s rich and varied landscape - it is unthinkable to imagine a future adrift.”
* A number of Federation members have by statute been unable to participate in the poll. These include members in receipt of government funding, those that are arms-length governmental bodies (such as Arts Council England or Creative Scotland) or have public service broadcasting obligations.

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April 2016

Newsletter: Tech, Telecoms, Wales and Scotland

Dear Members,

Please read on for:

- Creative tech at London Technology Week - how start-ups can partner with the big players
- Save the date for new events in Cardiff and Edinburgh
- Making communications work for everyone - a Unique Breakfast with Ofcom's Sharon White
- Philanthropy and corporate sponsorship: the first meeting of our finance working group 
- Catching up on our cracking EU debate - members can still view the live stream

Best wishes,

John Kampfner, Chief Executive

Read more


Creative Tech - How to Succeed as a Start-Up

As part of this summer's London Technology Week 2016, the Federation is joining forces with Tech London Advocates and Digital Catapult to deliver an exciting panel discussion on how start-ups can successfully partner with larger established companies.

This headline event will feature sessions with speakers from Channel 4, Penguin Random House, DigitasLBi, MoFilm, PlayCanvas and Barclays, covering media, TV, film, games, publishing and advertising. Speakers will offer practical advice, debate and case studies on how best to avoid the pitfalls and reap the rewards of collaboration.

There are a limited number of places available exclusively for Federation members.  If you’d like to attend, please RSVP below to request a place.

Date: Wednesday, June 22, 2016

Times: 5.30pm registration
6.00pm Introduction and panel discussion
7.45pm Feedback and summary
8.00pm Drinks/networking

Venue: Digital Catapult Centre - 9th Floor, 101 Euston Road, London NW1 2RA

Speakers at our London Technology Week event will include Dan Franklin, digital publisher and a senior member of the consumer and digital development department at Penguin Random House UK, who are Federation members. He heads a team who forge collaborations on behalf of the publisher's authors.

Click here to request a place.

What Matters in Wales - Come Tell Us
Save the date for our visit to Cardiff next month when we will be debating whether a cultural strategy is crucial to regional economic success. 

The Federation will bring together a panel of expert speakers as we debate the landscape for arts and the creative industries in Wales in the wake of next month's elections. As our first major event in Wales, this will be open to prospective members from across the arts, creative industries and cultural education as well as members.

Join us for an evening of topical discussion and the opportunity to share your concerns and passions. After the event, which is supported by Barclays, attendees will have the opportunity to view Cardiff School of Art & Design's 2016 Degree show and to meet and mingle over drinks. 

More details to follow very soon but click below to register your interest.  This is a complimentary event.

Date: Wednesday, May 25, 2016
Times: 6.00pm-8.00pm
Venue: Cardiff School of Art & Design, Cardiff Metropolitan University, Llandaff Campus, Western Avenue, Cardiff, CF5 2YB 

Click here to request a place.

Networking in Scotland - Come Join Us

We are delighted to be hosting our first event with the Edinburgh International Festival, who are Federation members, on the evening of August 23. More details soon.

Deep Thinking on our Communications Future

We kickstart our in-depth series of policy breakfasts - the Unique Breakfasts - with an exploration of how digital communications can continue to meet the needs of people and businesses UK-wide, over the next decade and beyond. Sharon White, chief executive of Ofcom, is the key speaker.

With the communications sector evolving at a rapid pace and consumers and businesses placing ever-growing demands on their mobile and broadband services, reliable and widely available communications are vital to the success of the creative industries and the wider economy.

The regulator Ofcom has just published its once-in-a-decade blueprint for the future of the sector and this is your chance to interrogate the thinking behind it.

There will be a limited number of places at this round table event and we expect demand to be high so may not be able to accommodate everyone interested in attending. We advise that everyone with a place is expected to take part in the discussion. Our thanks to the May Fair Hotel for hosting this breakfast.

Date: Friday, May 20, 2016
Times: 8.00am-9.30am
Venue: The May Fair Hotel, Stratton St, London W1J 8LT 

Click here to request a place.

Building Financial Resilience - Our Working Group Launches
The Federation’s working group on finance will launch on the afternoon of Thursday May 5 in central London.

The first session will explore existing models for cultural and corporate partnerships and we hope for a useful debate with a range of interested parties including arts organisations and financial institutions. Members are invited to share their experiences of engaging with the corporate sector and philanthropists as we seek to unlock current blocks in the system.

Future sessions will cover topics including making the case for local investment in the arts and creative industries, why the creative tech sector is more effective in attracting new forms of investment than the creative industry sector and - dependent on the outcome of the EU referendum - access to EU funding.

The aim of the working group is to identify practical steps to foster stronger engagement between the cultural and corporate/private sectors, examine what more the government could do to promote successful partnerships, identify new sources of funding and encourage entrepreneurialism and innovation.

To reserve a place, please contact Jack Powell at
EU Hustings: After the Debate, our Members' Vote
Any members yet to complete our survey on Europe are urged to do so - and have no excuse after Tuesday's fierce, fascinating and informative debate on what this summer's vote will mean for the arts, creative industries and creative education.

The Federation brought together Munira Mirza, deputy mayor of London for education and culture, Luke Johnson, founder of Risk Capital Partners, and Lady Bridgeman, founder of the Bridgeman Art Library, to make the case for Brexit, while Maria Eagle, shadow culture secretary, Jude Kelly, artistic director of the Southbank Centre, London, and Baroness Lane-Fox explained why we should Remain. (All pictured.)
Thanks to Federation member, ArtStreaming TV, for providing a live stream from the British Library in London which successfully brought the event to members nationwide.

We will publish the results of our members' survey shortly after the deadline of May 9. For members who can no longer find the questionnaire in their in-box, we will re-circulate it shortly.
Who We've Seen and What We've Done
Who we have engaged with: Liverpool Everyman and Playhouse, Alliance for Intellectual Property, Sony Pictures, Bristol Media, Somerset House, Jimmy Wales Foundation, No 10, DCMS, Cannes Lions, Gagosian Gallery, WGSN, Royal Opera House, Cameron Mackintosh Limited, Royal College of Art, ITV, Channel 4, David Lammy MP, Trinity Mirror, Nesta, John Nicolson MP, NBCU, Arts Council England, UK Music, Careers Enterprise Company, London Stock Exchange Group, Battersea Arts Centre, Advertising Week Europe.

What we have done, read, seen and particularly loved: English National Ballet's She Said and National Youth Dance Company's In-Nocentes, both at Sadler's Wells, The Tempest at Shakespeare's Globe, Zootropolis, Undressed at the Victoria and Albert Museum, the National Theatre's People, Places and Things at the Wyndham's, Painting the Modern Garden at the Royal Academy, Be Be Wife Pan Ek Aj Life by Shivam Theatre at the Bhavan Centre, 
Hilma af Kilnt at Serpentine Galleries, Muse at The 02, Channa Horwitz at Raven Row, Jaco Van Dormael's film The Brand New Testament at the Barbican, Agatha Christie's Dead Man's Folly, Aarushi by Avirook Sen, A Little Life by Hanya Yanagihara, the new season of The Unbreakable Kimmy Schmidt on Netflix, temples, shrines and the Imperial Palace gardens of Tokyo and Kyoto.

What we have been working on: In addition to the EU hustings at the British Library, our working group on further and higher education in Birmingham, a submission to the House of Lords' inquiry on Channel 4, and updating our briefings on the EBacc, now that a House of Commons debate has been secured. 

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Newsletter: Leading on Europe and Making Your Head Hurt

Dear Friends and Colleagues,

Please read on for details of:

- The Unique Breakfasts - details of our exciting new series
- Speaker line-up for our Europe hustings; member survey reaches climax
- The finance working group - inaugural session on philanthropy and corporate sponsorship 
- EBacc news, the Federation out and about and what our members are doing

If you have not already signed up to become a member of our unique network, now is the time.

John Kampfner, Chief Executive

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Europe In or Out - We're at the Heart of the Debate
This month comes the debate; in May we'll announce the results of our members' survey.

Big beasts from the Remain and Brexit camps will make their case at the Federation’s major debate on Europe this month as we focus our attention on the biggest political issue of the year.

Baroness Lane-Fox, Shadow Culture Secretary Maria Eagle and Jude Kelly, artistic director of the Southbank Centre, London, will explain why they believe we are Stronger In while Luke Johnson, founder of Risk Capital Partners and a former chairman of the Royal Society of Arts and Channel 4, and Lady Harriet Bridgeman, founder of the Bridgeman Art Library, argue for Vote Leave.

The Federation’s EU hustings - what it all means for the UK’s creatives

Date: Tuesday April 19
Times: 6.00pm registration
             6.30pm debate and Q&A
             7.45pm drinks & networking
             8.30pm end of event
Venue: British Library, 96 Euston Rd, London, NW1 2DB

Members please register to attend here. If you have any questions you would like to put to the speakers, please let us know.

Those members unable to attend will be able to watch the event on a password-protected live stream thanks to Federation member, ArtStreaming TV.

Please note: Our members-only poll on Europe is open for another month. For anyone who has not yet completed the survey, we will re-circulate it next week and publish the findings mid-May.
Our Unique Breakfasts - How To Make Your Head Hurt 
Our high-level Unique Breakfasts will start this spring with the aim of offering incisive discussion on key policy issues or hot topics of the moment.

The first raft of confirmed guest speakers includes:

Naomi Climer, the first female president of the Institution of Engineering and Technology.
Catherine Mayer, co-founder of the Women’s Equality Party
Kathryn Parsons, co-founder and co-CEO of Decoded
Sharon White, chief executive of Ofcom

These small, curated events, held over a light breakfast, are a new series for our members, designed as focused, informative and provocative conversations with creatives, entrepreneurs and thought leaders.

We expect demand to be high so may not be able to accommodate everyone interested in every session. We advise that all attendees are expected to be active and engaged in the discussion. But we promise you will come away with new ideas, ways of thinking and inspiration. Your head should hurt.
Full details of dates, venues and subjects for debate to follow but please click here to register interest, stating which Unique Breakfast or Breakfasts you would like to attend.
Working Group on Finance - Philanthropy First
The Federation’s working group on finance will launch on the afternoon of Thursday May 5 in central London.

The first session will explore existing models for cultural and corporate partnerships and we hope for a useful debate with a range of interested parties including arts organisations and financial institutions. Members are invited to share their experiences of engaging with the corporate sector and philanthropists as we seek to unlock current blocks in the system.

Future sessions will cover topics including making the case for local investment in the arts and creative industries, why the creative tech sector is more effective in attracting new forms of investment than the creative industry sector and - dependent on the outcome of the EU referendum - access to EU funding.

The aim of the working group is to identify practical steps to foster stronger engagement between the cultural and corporate/private sectors, examine what more the government could do to promote successful partnerships, identify new sources of funding and encourage entrepreneurialism and innovation.

To reserve a place, please contact Jack Powell at
Act Now for a Commons Debate on the EBacc
The Federation is still urging people to sign a petition that will secure a House of Commons debate on the English Baccalaureate - the EBacc - if it hits 100,000 signatures by May 9. It currently stands at around 96,000 signatories. So hurry, and sign, if you haven't already!

With creative education the biggest concern among members, our work on the EBacc sits alongside our working group on challenges facing further and higher education. Our submissions to Government on the EBacc will be sent to members next week.

For more information and to sign the petition, click here.
The Federation - Out and About
Since our last newsletter

Who we have engaged with includes: Edinburgh International Festival, Junk Kouture, International Festival of Business, National Gallery, Donmar Warehouse, National Trust, VisitEngland.

What we have done, read, seen or particularly loved: Debate on the future of public broadcasting with Lord Puttnam and Lord Hall, Ted Hughes Poetry Award, Les Blancs at the National Theatre, Afrobeats Easter Festival at the Troxy, London, Mappa Mundi at Hereford Cathedral, Duck House playing at the Old Blue Last, London, The Winter’s Tale at Shakespeare’s Globe, It’s a Drag Knockout at Bloc Bar, London, Being the Brontes on BBC Two, Moranifesto by Caitlin Moran, Geisha by Lesley Downer, A Suitable Boy by Vikram Seth, The Tin Drum by Gunter Grass, One Hundred Years of Solitude by Gabriel Garcia Marquez, a range of culture in Madrid, including the Royal Palace, Prado, Thyssen-Bornemisza Museum and the Reina Sofia Museum, and the Museo Nacional de Colombia, Museo del Oro and a Bazurto All Stars gig in Bogota, Colombia. And The Night Manager. Didn’t everyone?
Members' News
London Craft Week May 3-7, a showcase featuring hidden workshops and unknown makers alongside celebrated masters, famous studios, galleries, shops and luxury brands. for tickets and news.

The Sorrell Foundation, with funding from the HEAD Trust and Arts Council England, has made short films to inform young people, parents and teachers about the UK's creative industries and to encourage them to stick with art and design and design and technology when choosing their GCSE options. Information at and the videos are at

Arts Council chair, and Federation founder, Sir Peter Bazalgette will make a keynote speech on April 13 on local government, the arts and what can be achieved through partnership.

Youth marketing agency Livity is creating a new London online marketplace matching creative people looking for affordable space to rent with businesses and organisations with unused deskspace and meeting rooms. Contact for more information.

The Federation is preparing a short guide to the three-week International Festival of Business which is taking place in Liverpool this summer. But in the meantime, you can read the latest IFB newsletter here

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March 2016

Newsletter: Easter Update

Dear Friends and Colleagues,

Here is your Easter update of the work that we've been doing on behalf of all the UK's creative industries, arts and cultural education. The headlines:

    •    Response to Culture and Education White Papers
    •    Finance Working Group - Sponsorship and Philanthropy
    •    EU Survey and Debate
    •    Over the Horizon
    •    Federation Out and About

If you have not already signed up to become a member of our unique network, now is the time.

John Kampfner, Chief Executive

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Finance Working Group
The first meeting of the Federation's Finance Working Group will take place on May 5 and will focus on sponsorship and philanthropy. Members from across the UK have raised with us the need for greater engagement between the corporate sector and cultural organisations. A number have expressed concern that private investment in the arts is diminishing. The need for stronger partnerships in this area was also acknowledged by government in the Culture White Paper.

If you would like to join this working group, and have not already signed up, or if you would like more information, please contact
Response to Culture White Paper
The Federation welcomes publication of the Culture White Paper, the first for 50 years. To read our critique - where we agree with the government and where we believe it has fallen short - click here
Response to Education White Paper
The Federation expressed its disappointment at the Government’s Education White Paper after it failed to address the skills pipeline challenges facing the creative industries.

Chancellor George Osborne said in his Budget that providing great schooling is “the single most important thing we can do to boost the long-term productivity of our economy” but the White Paper failed to follow through. To read our full response, click here.

The Federation is still urging people to sign a petition that will secure a House of Commons debate on the English Baccalaureate - the EBacc - if it hits 100,000 signatures by May (currently approaching 90,000 signatories).

For more information and to sign, click here by Monday, May 9.
Higher and Further Education Working Group
Following the successful launch of the working group in January, our next meeting will take place on Tuesday April 12 in Birmingham. We will update members on our work plan for higher and further education, what the government's plans for apprenticeships mean and we will end with a panel discussion on entrepreneurship.
The Big EU Debate
The big vote is getting closer: the Federation is convening leading figures to debate what the EU referendum means for the arts, creative industries and cultural education.

Members will be invited to challenge leading figures from both the Stronger In and Vote Leave campaigns at a big debate we are hosting at the British Library.

This event is open to members - please register below. We are working with Federation member ArtStreamingTV to provide a password-protected live stream for those members unable to be in the room.

Date: Tuesday, April 19

Times: 6:00pm for 6:30pm start
             8:30pm finish

Venue: British Library, 96 Euston Rd, London, NW1 2DB

Members still have time to complete our EU survey. It's important that as many of you do as possible. The survey is anonymous although there is an option for leaving details if you would like to be more actively involved with us further on this issue. Members please contact us here if you need a link to the survey.
Register Now
Over the Horizon
As ever, the Federation team is active across the country in events and initiatives from music to tech, arts to design, fashion to TV, architecture to film, broadcasting to heritage, visual arts to publishing. Here's a taste: the International Festival of Business in Liverpool, Hay Festival, Culture Forum North in Leeds, Edinburgh Festival, London Tech Week plus events in Northern Ireland, Cornwall and Wales with many more to come. We'll keep you posted with more details
Federation Out and About
Since our last newsletter...

We have spoken at: The Manchester Cultural Partnership Conference, The Women of the World Festival at the Southbank Centre, London, University of Kent.

Who we have been talking to includes: Sadiq Khan, British Council, BBC, Creative England, High House Production Park, The Building Centre, Korean Creative Industries Forum, The Sharp Project, Manchester, Local Government Association, New Designers Art Fair, Royal Northern College of Music, Manchester, Arts Council England, Brunswick Arts, Indielab, Tech London Advocates, Milligan Retail, Motion Pictures Association, Camelot, Creative Skillset, CCSkills, UK Music.

What we have seen includes: Giorgione at the Royal Academy, If You Kiss Me, Kiss Me at Young Vic, Waste at the National Theatre, Room, A Bigger Splash, Hail, Caesar!, Ave Maya Gala at Coliseum, Jesus and Mary Chain at The Forum, The Dimbleby Lecture with the RSC's Gregory Doran, The Magic Flute at ENO, a cinema relay screening of The Crucible from the Barbican, 10 Cloverfield Lane, The Hunna in Amsterdam, Royal Collection: Scottish Artists at the Queen's Gallery, The Leprosy Museum, Bergen, Norway, The Master Builder at the Old Vic, Diiv at Rough Trade East, Ludovico Einaudi at the Eventim Apollo Hammersmith, St Matthew Passion at Westminster Abbey, Munch Museum and Museum of Architecture, Oslo, Series of Chamber Music at the Oslo Opera House, Norway.


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Newsletter: Europe - The Big Debate

Dear Friends and Colleagues,

Please read on for details of:

- Our big debate on the EU 
- Q&A with Labour's London mayoralty contender Sadiq Khan
- Education, Parliament and the EBacc 
- Members' news

If you have not already signed up to become a member of our unique network, now is the time.

John Kampfner, Chief Executive

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The EU Referendum - The Debate and the Vote
It is the biggest issue in UK politics. So the Federation is convening leading figures to debate exactly what the EU referendum means for the arts, creative industries and cultural education.

Members will be invited to challenge leading figures from both the Stronger In and Vote Leave campaigns at a big debate we are hosting at the British Library.  

This event is open to members - please register below. We are working with Federation member ArtStreamingTV to provide a password-protected live stream for those members unable to be in the room.

Date: Tuesday, April 19

Times: 6:00pm for 6:30pm start
             8:30pm finish

Venue: British Library, 96 Euston Rd, London NW1 2DB

Register Now
Sadiq Khan's Vision for London
Earlier this week, at a packed Soho Theatre, Federation members put Conservative contender for London Mayor, Zac Goldsmith, through his paces. Now it's your turn to engage in a similarly vigorous and productive exchange with Sadiq Khan, Labour's candidate.

Reserve your place for the event, which will include a brief speech, a Q&A session and the all-important Federation networking. The evening will be opened by Sir Nicholas Serota, Director, Tate, and a Federation board member.

Date: Monday, March 14

Times: 5:30pm - registration
             6:00pm - speech and Q&A
             7:00pm - networking
             7:30pm - end of event

Venue: Tate Britain, Millbank, London SW1P 4RG

Register Now
Securing an EBacc Debate in Parliament
MPs will discuss the English Baccalaureate - the EBacc - in a House of Commons debate if a petition currently open on the Parliament website hits 100,000 signatures by May.

We urge people to sign because there is strong evidence that the EBacc, a performance measure of "core" subjects which contains no creative subject, is contributing to the marginalisation of the arts in schools, with damaging consequences for children’s right to access arts and for the long-term skills pipeline for the sector.

For more information and to sign, click here by Monday, May 9. Please feel free to forward.
Federation Out and About
Since our last newsletter...

CONFERENCES WE HAVE ATTENDED include: Local Government Association annual culture, tourism and sport conference in Leicester, Creative and Cultural Skills national conference at High House Production Park in Thurrock, Essex, and the CR.eAM conference in Brussels. 

WHO WE HAVE ENGAGED WITH includes: 10 Downing Street, Nicola Sturgeon and Creative Scotland, Shadow Culture Secretary Maria Eagle, Conservative London mayoral candidate Zac Goldsmith, Creative Industries Council, Shakespeare's Globe, Turner Contemporary, Natural History Museum, BBC News, US Embassy, London Philharmonic Orchestra, Design Terminal of Budapest, ArtsCom, Livity, Channel 4, Digital UK, Whitechapel Gallery, Kent County Council.

WHAT WE HAVE ATTENDED includes: Brits with the BPI, London Fashion Week, Waste at the National Theatre, RADA dinner at the Globe with Warner Bros, Painting the Modern Garden at the Royal Academy, Josie Long at Invisible Dot, The Hangman NT Live screening, Coasts at the Roundhouse, Mighty Hoopla at Butlins Bognor Regis, The Father at Duke of York's, The Misfit Analysis at Vault Festival, Google Cultural Institute at St Paul's Cathedral, Ostia Antica, the Appian Way and other ruins in Rome.
What Our Members Are Doing
- Penguin Random House UK has launched a Creative Responsibility manifesto to help thousands of young people discover and reach their creative potential regardless of background. For more information, click here.

- Birmingham City University is hosting the #Rethink Media Conference on March 16, examining the latest in digital and social media. For more information, click here.

- ACID (Anti Copying in Design) is holding a symposium on opportunities and IP challenges for 3D printing in central London on April 14. For more information, click here.

- The Beautiful Meme and D&AD are collaborating on April's D&AD Festival, an event for the world-renowned awards for the best of design and advertising. For details, click here.


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Response to 2016 Budget

The headlines

- We welcome the tax break for museums and galleries and other specific measures for that sector.

- We welcome further fiscal incentives for small creative businesses and freelances.

- We are increasingly concerned about the impact on local authority budgets and the consequences for provision of arts and culture.

Read more

The details

There are several elements of the Budget affecting the arts, creative industries and cultural education.

We welcome measures for arts and heritage including: 

- The new tax break for museums and galleries that will be available to temporary and touring exhibitions from April 2017

- Specific projects including £54 million for the Royal College of Art in Battersea, £5 million for the V&A Dundee, £2 million to refurbish the Hall for Cornwall in Truro, £13 million for Hull’s City of Culture, a new Shakespeare North theatre in Knowsley, £14 million for the STEAMhouse in Digbeth, Birmingham, bringing together arts and STEM to drive innovation, and support for the British Library’s ambition to develop land to the north of its St Pancras site

- Extending the Cathedral Repairs Fund by an extra £20 million.

We welcome support for the digital economy - in addition to the Institute of Coding already announced - including:

- The establishment of a new Broadband Investment Fund to support alternative broadband networks

- Delivery of a 5G strategy in 2017 so that the UK becomes a world leader in 5G.

As a sector with high numbers of small and medium-sized enterprises and freelances, we also welcome other measures including:

- New tax-free allowances for micro-entrepreneurs

- Cutting business rates for smaller businesses so that businesses occupying property with a rateable value of £12,000 or less will pay no business rates with tapered rates of relief on properties worth up to £15,000

- Simplification of National Insurance contributions for the self-employed

- All Local Enterprise Partnerships (LEPs) to have a small business representative on their board.

We are pleased that our major creative businesses also stand to gain from the cut in corporation tax to 17 per cent by 2020.

However, while we welcome business rate relief for small companies, we are extremely concerned that the estimated £7 billion savings for these small businesses will be forfeited by the local authorities who have been given the right to retain business rate income as part of plans for greater financial autonomy. Any further decrease in revenues for local authorities risks further damage to local arts organisations. 

Given the current marginalisation of creative subjects in schools, we will examine carefully the changes for education to be announced fully in the White Paper tomorrow.

Our comment

John Kampfner, chief executive of the Creative Industries Federation, said: “We welcome the fiscal measures to encourage entrepreneurship and innovative small businesses in our sector and the wider support for culture including measures that should help museums and galleries around the country.

“But we are extremely concerned that local authorities will be hit by another major cut to their budgets when local arts provision is already under pressure.

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February 2016

Newsletter: New Events Announced

Dear Friends and Colleagues,

Please read on for details of:

  • NEW - Members' Q&A with the leading contenders for London mayor
  • First public speech from Maria Eagle as Shadow Culture Secretary
  • Final call for applicants for our new post of Commercial Director
  • A link to a short new film explaining who we are and what we do
  • Events in Manchester and Cleveland

If you have not already signed up to become a member of our unique network, now is the time.

John Kampfner, Chief Executive

Read more

Federation members are to get the chance to share their priorities with the leading contenders for the London mayoralty at two special events next month.

Labour candidate Sadiq Khan and Tory representative Zac Goldsmith will each take part in a one-hour talk and Q&A with our members from across the arts, creative industries and cultural education followed by the chance for more informal networking. 

With the sector the fastest growing part of the British economy since 2008 and one in six of all creative industries jobs in the capital, we expect a lively exchange.

We are delighted to working with our partners at the London Cultural Strategy Group.

Full details of both events, including each London venue, will follow.
Zac Goldsmith
Date: Wednesday, March 2
Time: 11am - 12.30pm

Register For Zac Event Here
Sadiq Khan
Date: Monday, March 14
Time: 6pm - 7.30pm 

Register For Sadiq Event Here
New Shadow Culture Secretary Maria Eagle will be offering a national perspective as she gives her first speech since taking up the post.

Ms Eagle will speak on public service broadcasting, the creative industries and cultural landscape to Federation members. There will then be a Q&A and networking.

Date: Tuesday, February 23.
Time: 10am - Registration
           10.15am - Speech and Q&A
           11.15am - Networking
           11.45am - Close
Venue: Royal Festival Hall, Belvedere Road, London, SE1 8XX

This event is complimentary to attend but open to members of the Federation only.
Register Here

The Creative Industries Federation is seeking a Commercial Director to play a pivotal role in our small but highly-focused team. This is one of the most exciting positions anywhere in the creative industries and arts. Please click here for full details of this new post.

After a year in operation, we asked some of our members to talk about what we do, why we do it and what we have achieved to date. 

Please click here to watch our new film, shot by Peanut and Crumb against the backdrop of our First Anniversary Celebration in London last month.
Federation Chief Executive John Kampfner is to give the keynote speech at Future Talent in the Creative Industries, a Manchester Metropolitan University conference this month.

He joins a line-up on February 19 also including Jo Leah, managing director of Weber Shandwick, and Dave Moutrey, chief executive of Home, at the event hosted by the Creative Industries Cluster in association with the Manchester Publicity Association.

Eliza Easton, Policy and Research Manager, will be speaking at a free Future Creative Skills event with Stuart Birkett, managing director, ncjMedia, part of Trinity Mirror group, at Cleveland College of Art and Design (CCAD) on February 16.

The Federation would like to remind all involved in the arts and creative industries to complete the CCAD's online survey on the skills that will be needed for the future. It is available

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January 2016

Newsletter - Federation: Osborne and Creatives Launch Federation's Second Year

Dear Friends and Supporters,

Thank you to the many of you who joined us to celebrate our amazing first anniversary this week. More than 500 people packed into Television Centre, west London, to hear the Chancellor, George Osborne, hail the value of the creative industries and endorse the importance of public investment.

Please read on for details of:

- The Chancellor's First Anniversary Celebration speech, and pictures from the evening
- Exciting new events planned for 2016 
- The first meeting of our working group on further and higher education
- The final panel line-up for our place-making debate in Birmingham.

Best wishes,

John Kampfner
Chief Executive

* Please note: We are a membership body which relies on our membership dues to do our work. You need to be a member in order to attend our events and take part in our policy work and other activities. For details of how to join, please contact Tim Moore, our Director of Membership, on or 020 78493304.

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More than 500 leading figures and creatives from the arts, creative industries and cultural education packed into Television Centre, west London, for the Federation's First Anniversary Celebration on Tuesday.

Chancellor George Osborne told the packed party that the Government had chosen “to put money where it counts and where it says a lot about our country”.

“One of the big choices we have made is to invest in the arts," he said. And he stressed there was a “big role” for public investment alongside private money and commercial success from ticket sales. “That’s always been part of the unique British mix.”

Speaking to an audience that also included culture minister Ed Vaizey, the French ambassador Sylvie Bermann and London mayoral contender Sadiq Khan, Mr Osborne  said: “One of the big choices we have made is to invest in the arts.”

Katie Derham, BBC broadcaster and Strictly finalist, compered the evening which included performances from the Richard Alston Dance Company, performance poet Hollie McNish and the band Coasts.

Click here for more pictures of the performers and our unique network in action. Click here for more from the Chancellor’s speech and from the welcome by Federation chief executive, John Kampfner.
This year will see the Federation launch a new programme of events. They will include the Unique Breakfasts, which will be high-level breakfasts on important issues of policy or of the moment, and the Unique Conversation, which will be talks by leading figures from a wide range of disciplines designed to inspire, encourage and promote creative thinking, for the benefit of our members.

We will be out and about across the UK, including returning to Scotland and holding our first events in Northern Ireland and Wales. We also hope to do more in non-urban centres with plans underway for work in Cornwall.

We will hold events around the London mayoral campaign and are also looking to explore what Europe means for the creative industries. The Federation will also play a key role at the International Festival for Business in Liverpool this summer.
More than 70 members have signed up to take part in our groundbreaking working group on further and higher education which held its inaugural meeting yesterday.

About 40 took part in the first session, held at Central Saint Martins, University of the Arts London, chaired by its vice-chancellor, Nigel Carrington.

A key part of Federation work is how what is happening in HE/FE  ties into the success and growth story for the UK creative industries and how assessing and addressing current blockages in, and risks to, the skills pipeline is vital to ensuring that we are able to remain world leaders in our field.

Eliza Easton, Federation policy and research manager, spoke on the introduction of the EBacc and the implications for HE/FE, Professor Geoffrey Crossick on creative and performing arts research, Sir John Holman, representing the Gatsby Foundation, on better careers advice, and Dinah Caine, chair of Creative Skillset, on apprenticeships in the creative sector.

We will provide updates as its work progresses.

The new Birmingham Royal Ballet chief executive Jan Teo is to join next week's debate on the role the arts and creative industries have to play in building thriving towns and cities where people want to live.

The session, which will be chaired by Federation chief executive John Kampfner and also feature Ed Vaizey, minister for culture and the digital economy, will close the annual conference of the Association of British Orchestras in Birmingham on Friday.

For more details including how to reserve your place, here.

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Newsletter: Maria Eagle - First Speech Announced

Dear Friends and Supporters,

After the excitement of our First Anniversary Celebration, it's now back to the serious business of politics, policy and research. Please read on for more details of our current activity and plans including:

  • New Shadow Culture Secretary Maria Eagle's first speech
  • Strong new economic growth figures - but with a warning 
  • New posts at the Federation.

If you have not already signed up to become a member of our unique network, now is the time.

Best wishes,

John Kampfner
Chief Executive

Read more

We are pleased to announce that new Shadow Culture Secretary Maria Eagle will make her first speech since taking on her new role at a special Federation event next month.

Members will get the chance to meet Ms Eagle when she speaks at the Southbank Centre on public service broadcasting, the creative industries and the cultural landscape.

Date: Tuesday, February 23.
Time: 10.00am - registration

           10.15am - speech and Q&A
           11.15am - tea and coffee/networking
           11.45am - close
Venue: Royal Festival Hall, Belvedere Road, London, SE1 8XX
To register for a place, please click here.

The Federation is also preparing for the other key political events of the year with plans to put the spotlight on the London mayoral candidates and examine the arguments on European membership.
The new economic growth figures released by DCMS this week confirm we are a booming sector with the creative industries growing by 8.9 per cent in 2014 - almost double the UK economy as a whole.

The creative industries were worth £84.1bn to the UK economy in the year 2013-2014, up from nearly £77bn the year before, with employment also up by 5.5 per cent to 1.8 million jobs. The wider creative economy is worth £133.3bn and employs 2.8 million people.

The creative industries have been the fastest growing part of the economy for the period from 2008, when current measurements began. Construction overtook us as last year as the fastest growing sector - but has achieved a much lower rate of growth since 2008, at 9.7 per cent compared to 37.5 per cent for the creative industries.

The Federation congratulates its members on this great success story - but warns the Government needs to act to secure continued growth, not least by providing a proper creative education to ensure the workforce of the future. For more details, click here.

We have made submissions to current consultations on education and the EBacc.
After a thrilling first year, the Creative Industries Federation is expanding to help deliver our programme of advocacy, policy and research work as well as exciting events for our growing membership. We are seeking a commercial director and an events manager - which are both new posts. Please click the links below for full details.

Commercial director

Events manager
The Federation is proud to be partners in a new Speakers for Schools campaign which is taking top figures from the creative industries into state schools to inform and inspire young people.

John Kampfner joins leaders including Deborah Bull, (pictured) Sir Peter Bazalgette, Jude Kelly and the actor David Morrissey in the Creativity, Arts and Culture series of talks which are part of the broader work of the charity set up by the TV journalist Robert Peston.

For more details, click here.
Cleveland College of Art and Design (CCAD), the Northern School of Art since 1874, is conducting a future creative skills survey – seeking your views about the skills that must be taught and fostered to keep the creative sector successful into the next decade and beyond.  

The creative industries depend on graduate skills – 58.8% of jobs in the sector are at least graduate level (compared to 31.8% in the wider economy). But what skills will be needed within the next decade? What courses should be available and what should they cover?
The online survey, which has been prepared with input from the Federation, is available here and should only take a few minutes to complete.

Federation members are also invited to a free future creative skills event with Stuart Birkett, managing director, ncjMedia, part of Trinity Mirror group, and Eliza Easton, the Federation’s policy and research manager. 
Date: Tuesday, February 16
Time: 5.30pm
Venue: CCAD Hartlepool Campus.  
To register for a place, please click here
This summer’s International Festival of Business 2016 in Liverpool is set to be the biggest event of its kind in the world this year and act as a global marketplace for meeting new partners and doing deals.

The third and concluding seven days of the three-week festival at the Exhibition Centre will be devoted to creative and digital and the Federation is currently working with organisers on the plans.

Click here for the latest IFB2016 newsletter and details of how to register.

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Strong Growth Stats Come with a Warning

The Creative Industries Federation today welcomed new economic growth figures that confirm that creative industries grew by 8.9% in 2014 - which is almost double the UK economy as a whole (4.6%).

The sector was worth £84.1bn to the UK economy in the year 2013 - 2014, up from nearly £77bn in the previous year. It is now a larger proportion of the economy than it has ever been.

The creative industries have now been the fastest growing part of the economy for the period from 2008 (when current measurements began) to 2014. Construction overtook the creative industries as the fastest growing sector of the economy in 2013 - 2014 but achieved a much lower rate of growth since 2008, at 9.7% compared to 37.5% for the creative industries.

Total employment was also up – increasing by 5.5% in the creative industries from 2013 – 2014 to 1.8 million jobs. Employment in the wider creative economy (creative industries + creative jobs in other sectors) hit 2.8 million jobs.

Read more

The creative economy now accounts for 8.24% of the UK’s economy and is worth £133.3bn. 

The period from 2013 - 2014 saw significant growth in film, TV, video, radio and photography, which coincided with the introduction of tax reliefs for high-end television and animation in April 2013, following longstanding credits for film (which were implemented in 2007). This comes after slowed growth in this sector from 2012 – 2013.

Design (which includes product, graphic and fashion) had the largest increase in GVA between 2013 - 2014 at 16.6%  But this is a sector where there are particular concerns for the future because of the skills pipeline, with the marginalisation of creative subjects in schools and particular challenges at higher and further education.

Another area of concern is music, performing and visual arts – the only industries which did not have growth this year above their average from 2008 – 2014. There are some problems with the data in this area, however (see UK Music’s report, Measuring Music, for example). The slowing of growth here could be, in part, due to cuts in public investment, through arts councils and local authorities.

John Kampfner, Federation chief executive, said:

“These are impressive figures and we congratulate our members and the wider sector. This success has been built not only on their talent, but on a mix of public and private investment, from arts council grants to tax credits. This shows that support and investment for the creative industries is repaid many times over.

“However, there are still areas where the Government needs to act to secure continued growth, not least by providing a proper creative education to ensure the workforce of the future.”

For the full government figures, click here.

Note: The Creative Industries Federation is the national membership body which is the united voice for all the arts, creative industries and cultural education.

For more information, please contact Louise Jury, director of communications and strategy, on or 020 7849 3300 or 07771 598070.

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November 2015

November Newsletter - Our Essential Guide to Growth

Dear Friends and Colleagues,
The Federation has been overwhelmed with responses to our plans for a high-level working group to examine the challenges facing further and higher education. We are also forging ahead with a string of new events and today launch a new strand of members-only offers.

Read on for details of:

    •    The launch of our unmissable guide to growing your creative organisation - with the ICAEW
    •    Members' chance to have your say on Europe - our EU referendum
    •    Huge response to our working group on higher education - plans announced
    •    Scottish Culture Secretary's speech and other roadshow news
    •    Tchaikovsky ticket offer - from one member to fellow members
    •    How to buy tickets for our First Anniversary Celebration
    •    Top-level execs wanted to inspire state school pupils about the creative industries
    •    Last call to lobby MPs on Early Day Motion on economic value of culture.

Please join us and get involved in the action.

John Kampfner, Chief Executive,
Creative Industries Federation

Please note: Events are now for Federation members only unless otherwise specified.
For details on how to join, please contact:

Read more

With George Osborne gearing up to announce his Spending Review, the Federation launches its unmissable guide to assist member companies and public organisations make money and build financial resilience.

'Creative industries - routes to finance: A guide to sources of funding and investment for arts, cultural and creative organisations,' written by the Institute of Chartered Accountants in England and Wales, covers everything from venture capital to philanthropy and tax credits to Arts Council funding. It is the first dedicated one-stop-shop guide to finance for the sector and should be an invaluable asset for all businesses and organisations looking to survive, thrive and grow.

Date: November 18, 2015
Venue: National Theatre, London

Members click here to register. Full details to follow.
Members will this month receive the first survey questionnaire in what is intended to be a regular snapshot of attitudes to Europe to guide Federation thinking on this crucial topic. Look out for it and make your voice heard.
The Federation has hit a nerve with plans for a further and higher education working group to examine the urgent challenges facing creative education.

In the face of enormous interest, we plan to kick off with an initial forum of all interested members before setting up an expert group chaired by Nigel Carrington, Vice-Chancellor of University of the Arts London. It will examine the teaching excellence framework (TEF), age limits on postgraduate loans, the place of universities in culture-led regeneration and other issues vital to future success.

Any members not yet registered, should contact Harriet Finney, Director of Policy, on by November 6. Details will follow shortly.
Royal Scottish National Orchestra
Glasgow Royal Concert Hall

Glasgow Roadshow
Next Tuesday

Fiona Hyslop, Scotland's Cabinet Secretary for Culture, Europe and External Affairs, will deliver the keynote speech at our Glasgow roadshow, hosted by the Royal Scottish National Orchestra (RSNO), in their new home, the Glasgow Royal Concert Hall, in partnership with Glasgow School of Art.

Speakers including Janet Archer, Chief Executive, Creative Scotland, Professor Tom Inns, Director, The Glasgow School of Art, Brian McLaren, Managing Director, EKOS, and Dr Krishna Thiagarajan, Chief Executive, RSNO will discuss “the new Glasgow miracle” and the issues, challenges and opportunities facing the city’s creative future.

On this occasion, prospective members are invited to take part. Members of the Federation team will be also available before the event to meet anyone who would like to fix a meeting.

Please click here for more information.

There is no charge to attend this event. Please click below to reserve a place or discuss a meeting.
Register Here
Newcastle/Gateshead Roadshow
November 16, 2015

The Federation will then continue its programme of learning more about what is happening around the country in a roadshow at BALTIC Centre for Contemporary Art in Gateshead on Monday, November 16, in partnership with Northumbria University. Speakers will be discussing how the creative industries can help create a better future for the region under devolution.

On this occasion, prospective members are invited to take part. Members of the Federation team will be also available before the event to meet anyone who would like to fix a meeting.

Please click here for more information.

There is no charge to attend this event. Please click below to reserve a place or discuss a meeting.
Register Here
BALTIC Centre for Contemporary Art.
Photo: Laura Young

Not only is the Royal Scottish National Orchestra hosting the Federation for its Glasgow roadshow, it is offering Creative Industries Federation members the chance of a top ticket deal too.
To celebrate the opening of their new home, the RSNO is offering a special deal on its first concert in December. Members will be contacted shortly with details of how to claim a 50% discount on tickets for the concert featuring the Tchaikovsky Violin Concerto performed by the young Latvian Baiba Skride on Thursday, December 3, in Glasgow Royal Concert Hall. Members will be also sent details of a discounted hotel room rate. Please see here for more information on the concert. 
Please see here for more information on the concert.

NOTE: If you are a member and would like to make an offer to other members, get in touch             here.
Tickets are still available for our first anniversary celebration on January 12. Members of our unique network have priority for our night to remember with drinks and nibbles at Television Centre, west London. Watch this space for an amazing array of guest speakers and entertainment to rival last year's launch party line-up of George Osborne, Paul Greengrass, Anish Kapoor and Martha Lane Fox.

Member tickets at £40+VAT can be purchased here. Tickets for non-members may be released at £100+VAT at a later date, subject to availability. 

Note: The simplest way of ensuring you are in the room is by becoming a member. Click here for membership details.
Speakers for Schools are launching a new campaign in January - and they would like Creative Industries Federation help.

The laudable S4S provide state schools with inspiring talks from leading figures including top politicians, professors and world-class performers, free of charge, and are looking for extra speakers, particularly from the worlds of the music industry, fashion design and gaming, for the new year drive. If you are a member with the time and the profile to help, please contact us 
The important role public investment in arts plays in supporting the creative industries is the subject of an Early Day Motion. Lodged in July, Arts Council England has launched a final push for everyone who cares about culture and the creative industries to lobby their MP to sign it. Act now. You can see which MPs have already signed at:
A new logo for your website will be sent out to Creative Industries Federation members shortly. Use it with pride.

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October 2015

October Newsletter - Higher Education and Europe: Members Have Your Say

Dear Friends and Colleagues,

After high-level work on the BBC and the spending review, the Federation prepares to examine two more of the biggest issues of the day - Europe and the challenges facing further and higher education.

Read on for details of:

    •    Our new working group on further and higher education
    •    A members’ survey on Europe - do you want in or out?
    •    How to buy tickets for the party of the year
    •    The BBC and the creative industries - we publish our submission
    •    Our Creative Diversity report - and what you can do now
    •    Roadshows in Glasgow and Gateshead and other new events
    •    What members are doing on diversity, economic growth and copyright

Please join us and get involved in the action. 

John Kampfner, Chief Executive, Creative Industries Federation. 

Please note: Events are now for Federation members only unless otherwise specified. For more details on how to join, please contact:


Read more


The Federation is launching a higher and further education working group to examine the urgent challenges facing creative education.

The expert group, which will be chaired by Nigel Carrington, Vice-Chancellor of University of the Arts London, will examine a policy area crucial not just to education, but the future success of the UK's creative industries and arts - in the light of the forthcoming Green Paper, the spending review and changes to immigration policy.

It will examine issues including the teaching excellence framework (TEF), proposed cuts to the Disabled Students’ Allowance, age limits on postgraduate loans, and the place of universities in culture-led regeneration and in Europe.
We invite Federation members to take part. To be considered, please contact Harriet Finney, Director of Policy, on marking the email “education working group”.
With opposing camps on the starting blocks, we are preparing to survey members on what you think and what issues matter. If there are questions you want asked, please contact Harriet Finney, Director of Policy, at

Ticket lines are buzzing for our first anniversary celebration on 12 January. Members of our unique network from across the diversity of the arts and creative industries have priority for our night to remember with drinks, canapés and entertainment at Television Centre, west London.

If you weren’t there with George Osborne, Paul Greengrass, Martha Lane Fox and Anish Kapoor at last year’s launch, don’t repeat the mistake. Member tickets at £40+VAT can be purchased by contacting Tickets for non-members may be released at £100+VAT at a later date, subject to availability.

The simplest way of ensuring you are in the room is by becoming a member. Click 
here for membership details.

After three combative discussions in Manchester, Birmingham and London on the future of the BBC, the Federation’s submission to the DCMS Green Paper consultation - reflecting the issues flagged and concerns raised - is published here.  

Working in partnership with the MOBO organisation, the Federation launched 'Creative Diversity - The state of diversity in the UK’s creative industries, and what we can do about it'. For action you can take now, read it here. 

Fiona Hyslop, Scotland's Cabinet Secretary for Culture, Europe and External Affairs, will deliver the keynote speech at our Glasgow roadshow on Tuesday, 10 November, hosted by the Royal Scottish National Orchestra, in their new home, the Glasgow Royal Concert Hall, in partnership with Glasgow School of Art. 
On this occasion, prospective members are invited to take part.  Members of the Federation team will be also available before the event to meet anyone who would like to fix a meeting.

There is no charge to attend this event. To reserve a place or discuss a meeting, please click

The Federation will then continue its programme of learning more about what is kicking off around the country in a roadshow at Baltic Centre for Contemporary Art in Gateshead on Monday, 16 November, in partnership with Northumbria University. 
On this occasion, prospective members are invited to take part. Members of the Federation team will be also available before the event to meet anyone who would like to fix a meeting.

There is no charge to attend this event. To reserve a place or discuss a meeting, please click 
Details of our new Unique Breakfasts events to start early in 2016 with top speakers. Exclusive to members. Don’t miss out.

- Goldsmiths and the Barbican alongside Create London are conducting the Panic! survey examining how people get their jobs in the creative industries. Complementing the work in our own report 'Creative Diversity' this will provide new data. Participate here. The survey closes this Sunday, 18 October.

- Advisory council member Ian Livingstone, with PwC, has launched ‘
Imagi-Nation: The Business of Creativity,’ looking at the health of the UK’s creative economy and identifying seven policy areas the Government could target to achieve growth.
- The BPI are among the major organisations behind 'Get it right from a genuine site', part of Creative Content UK, a Government-backed initiative to boost consumer awareness of legitimate online content services and how to reduce online copyright infringement.

Please note: This is the first of regular updates on members' activities. If you are a member and would like us to spread the word about what you are doing, please contact Louise Jury, Director of Communications and Strategy, on
To contact John Kampfner, please email: 
For media inquiries, contact Louise Jury, Director of Communications and Strategy,

Membership of the Creative Industries Federation is open to companies, arts organisations, educational institutions, trade bodies, arts practitioners and other individuals, including under-25s.


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The BBC - Federation Submission to Government

The Federation acted as “honest broker” to bring together figures from across industries including film, television, music, video games, dance and visual arts at three events, in Manchester, Birmingham and London, to discuss the BBC.

The aim was to gather evidence on the BBC's role in the wider arts and creative industries as part of the Government's Green Paper for Charter review. You can read our submission, reflecting issues discussed and concerns raised, HERE.

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September 2015

Creative Diversity Report Launch

The Creative Industries Federation, in partnership with the MOBO organisation, today launches Creative Diversity – The state of diversity in the UK’s creative industries and what we can do about it. 

Drawing on benchmark studies from across the spectrum of creative disciplines, as well as a range of insights and analysis from industry heavyweights, “Creative Diversity” reaches behind the headline figures to present a detailed and compelling “state of the creative nation” narrative.

The study is a new analysis that looks behind the headline figures to reveal Britain’s world-beating creative industries are not as diverse as they first appear.
It argues that while diversity has been long seen as a matter of social justice, there is a hard-headed business case for tackling the failure to capitalise on the full range of talent available and ensure that the creative industries remain the fastest-growing part of the UK economy.
And it provides a compendium of best practice by forward-looking organisations and businesses that have already acted to improve the diversity of their staff. It also includes case studies to show how everyone can act now to make a difference.

To read the full report, please click here.

Policy Research

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Federation at Party Conferences

With party conference season upon us, the Federation will be in debate with partners including UK Music and Arts Council England at events with the Conservatives, Labour and Liberal Democrats. You can find details on all Federation conference appearances below including links to event details.

Read more

- Harriet Finney, Director of Policy, will speak at Liberal Democrat Party Conference in Bournemouth on Monday 21 September at UK Music’s panel session on arts, culture and creativity after the election.

Event Details:

- Louise Jury, Director of Communications and Strategy, will take part in the Arts Council debate at Labour Party Conference, Brighton, on “how we make more of culture to power our creative economy” on Sunday 27 September. 

- John Kampfner, Chief Executive, will speak at Labour Party Conference in Brighton on Monday 28 September as part of the UK Music panel session on arts, culture and creativity after the election.

Event Details:​

- John Kampfner, Chief Executive, will speaker at Conservative Party Conference on Wednesday 7 October as part of the UK Music panel session on arts, culture and creativity after the election.

Event Details:​


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Federation Launches Seminars on Future of the BBC

Today (Wednesday September 9) the Creative Industries Federation will host the first of a series of policy seminars on the BBC's role in the creative industries.

The seminars, presented in partnership with the BBC Trust, will take place over the next two weeks in Manchester, Birmingham and London. Each will involve senior figures from the BBC and the Trust and experts from across the creative industries and the arts, with Lord Hall addressing the final meeting in London on September 23.

Read more

They will examine subjects such as the BBC's support for the creative industries through its guaranteed income and spend; the BBC's role in training and development; the BBC's impact on the creative industries market; the BBC's role as a creative catalyst in cities other than London and the Corporation's contribution to the development of the digital economy.

John Kampfner, Chief Executive of the Creative Industries Federation, says: "The BBC plays a vital role in the UK's broader creative industries and arts. As the national membership body for the arts, creative industries and cultural education, the Federation and its members see the Government's Green Paper and its discussions on the BBC as one of the important issues of the moment.

"Our series of three events are aimed at investigating dispassionately the role of the BBC in the wider creative industries, with the input of experts from a number of different fields, producing evidence for a strong report to Government.

"The BBC is of such importance to the cultural life of Britain that any decisions made now about its future will have an impact way beyond what the public gets to see and hear on radio, television and online. It will affect the strength and success of the UK's creative output for years to come."

Rona Fairhead, Chairman of the BBC Trust says: "The Trust has a particular responsibility to speak on behalf of licence fee payers and our job is to make sure we get the broadest possible public debate about the structure of the BBC and what its content and services should look like. These debates are part of that process."

Tony Hall, BBC Director General says: “The BBC is the largest single investor in TV and radio original content in the UK. In 2013/14 we spent around £2.2bn of licence fee income in the creative industries, of which around £450m went straight to small businesses. We’re already working hard to help create creative hubs in cities like Manchester, Birmingham and Bristol and we want to explore with local government and industry what more we could do.

“During the next Charter period I believe it’s vital that the BBC becomes more open as an organisation and a true partner. These seminars are a great opportunity to work with the Creative Industries Federation to make sure the BBC of the future will inform, educate, entertain – and enable.”

Notes - The first seminar takes place today at Dock10 (TV studios and post-production facility) in MediaCityUK, Salford; the second will be at Birmingham City University on September 14, with the concluding event at King's College London in London on September 23.   This is as press released today by the BBC.

Consultation Event News Policy

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September Newsletter - Crunch Time for Culture and the Creative Industries

Dear Friends and Colleagues,

Welcome back to an autumn set to be a crunch time for the arts and the creative industries. With big decisions due on spending, a major debate on the future of the BBC, and a White Paper on the arts, this is a pivotal time for British culture and the Federation will be at the forefront of political engagement.

We want to know more about what our members think so we can represent you at the heart of government. 

Please join us and get involved in the action. And watch this space for a special announcement of a rather exciting event we think you will want to attend...

John Kampfner, Chief Executive, Creative Industries Federation

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Seminars on the Future of the BBC

With the BBC entering one of the most challenging periods it has ever faced, the Federation is holding three events to investigate the role of the Corporation in the creative industries and what any change in its scale and scope might mean for British cultural life in the future.

We want to hear from the diversity of our membership - from orchestras to video gamers and dancers to movie-makers and recording labels.

The aim is to gather evidence that will form part of a submission to the Government's Green Paper review. There will be round-table discussions in Manchester and Birmingham followed by an event with an expert panel, and discussion from the floor, in London, kindly hosted by King's College London. Members will be given priority.
Manchester - Wednesday September 9, 12-2pm
Birmingham - Monday September 14, 12-2pm
London - Wednesday September 23, 2pm-4pm
For full details and to register, click here.
Diversity Report Launch
As Lenny Henry, among others, has highlighted, the lack of diversity in Britain's arts and creative industries remains a serious problem. "For 35 years, I never once had a work meeting with anybody who looked like me," he has said. "I was often the only black guy within five miles...And if you're working class as well, it's a double whammy."

As a matter of social justice and for concrete business reasons, too, the Federation will this month launch a new research paper offering advice on action that can be taken now. It will be unveiled in London on Monday September 28, in association with the MOBO Awards. To register interest in attending, click 
Spending Review
As the Government thrashes out what is expected to be one of the toughest of spending rounds, we will continue to make the case for ongoing public investment in the arts. We are also investigating other measures that could support culture and the creative industries.

If you have points for us to consider on philanthropy, regional development, tax reliefs or other financial incentives that could benefit either the private or the public sector (or both), please contact Harriet Finney, our Director of Policy, on
Political Engagement
With party conference season upon us, the Federation will be in debate with partners including UK Music and Arts Council England at events with the Conservatives, Labour and Liberal Democrats. Details will be provided under News on our website.
Our programme of meeting members (and prospective members) and learning more about concerns and passions across the country continues. Bristol and Newcastle are being planned. Please sign up below for Glasgow in November and for remaining places in Liverpool. There is no charge to attend.
Liverpool Roadshow

Speakers including David Pichilingi, of Liverpool Sound City, Yaw Owusu from the Liverpool International Music Festival and Erika Rushton of Baltic Creative are set to join us on Tuesday. Our partners are Liverpool John Moores University and the Liverpool Everyman and Playhouse, who are hosting.

Event Details:
Register Here
Glasgow Roadshow

Fiona Hyslop, Scotland's Cabinet Secretary for Culture, Europe and External Affairs, will deliver the keynote speech at our Glasgow Roadshow taking place on Tuesday November 10, as we expand our work in Scotland and across the UK. Hosted in the new home of the Royal Scottish National Orchestra in Glasgow, the Federation is working in partnership with the RSNO and Glasgow School of Art.

Event Details:

Places are limited so please register early.
Register Here
Longer Term
Plans for the future include:
* High-level members-only monthly policy breakfasts from November
* A hustings on the arts and creative industries with the candidates for London mayor in the new year.
To contact John Kampfner, please email: 
For media inquiries, contact Louise Jury, Director of Communications and Strategy, on

Membership of the Creative Industries Federation is open to companies, arts organisations, educational institutions, trade bodies, arts practitioners and other individuals, including under-25s.

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July 2015

July Newsletter - BBC, Scotland and major autumn events

Dear Friends and Colleagues,

As we look forward to a busy autumn, here are some highlights of what we're planning and a quick recap of our two major policy events of this month:
- BBC Policy Seminars - The Federation to explore BBC's role in the creative industries
- Fiona Hyslop, Scottish Culture Secretary, to deliver keynote speech 
- How we made the commercial case for investment in the arts
- What Education Secretary Nicky Morgan told members about arts and EBacc
- Future UK Roadshows - Liverpool and Bristol

Read more

The Federation will be contributing to discussions on the spending review, the White Paper on the arts and the Green Paper on the BBC as part of its intensive policy work with Government on behalf of members.
Please note: Federation members will be given priority access to all events, and any remaining places are strictly limited. To register your interest in membership please contact:

Membership is open to companies, arts organisations, education institutions, trade bodies, arts practitioners and other individuals, including under-25s.
BBC Policy Seminars
As part of our engagement with the Government's consultation on the future of the BBC, we are set to host a series of policy seminars on the Corporation's role in the creative industries. Participants will include the BBC Trust, BBC, politicians, policy-makers and stakeholders from the creative industries and arts across the UK.

We will be visiting Manchester, Birmingham and London in September. Full details to come. But we strongly recommend early registration. Note: members will be given priority.
Date: Wednesday 9th September
Register Here
Date: Monday 14th September
Register Here
Date: Wednesday 23rd September 
Register Here
Fiona Hyslop to Deliver Keynote Speech

Scotland's Cabinet Secretary for Culture, Europe and External Affairs, Fiona Hyslop, will deliver the keynote speech at our Glasgow Roadshow taking place on Tuesday 10th November as we expand our work in Scotland and across the UK. Hosted in the new home of the Royal Scottish National Orchestra in Glasgow Royal Concert Hall, the Federation is working in partnership with Glasgow School of Art and the RSNO.

Date: Tuesday 10th November
Time: Evening
Venue: Royal Scottish National Orchestra, 
Glasgow Royal Concert Hall, 19 Killermont Street

Register Here
Full programme and agenda to be announced.
There is no charge to attend this event; however places are limited so please register early.
 The Commercial Case for Investment in the Arts

Our new report for the first time drew on testimonials from leading figures in businesses from advertising and auction houses to fashion and publishing to reinforce the case that public investment in the arts is crucial, not only for the arts themselves but for the wider creative industries.

The study, How public investment in arts contributes to growth in the creative industries, was launched in partnership with Arts Council England to an audience of members on Monday 13th July, at an event hosted by Warwick Business School at The Shard, London.

Guest speakers included Ed Vaizey, Minister for Culture and the Digital Economy, Josh Berger, President and Managing Director of Warner Bros. Entertainment UK, Arts Council England Chair, Sir Peter Bazalgette, Melanie Eusebe, Chair and Co-Founder, Black British Business Awards, and Tracey Barber, Chief Marketing Officer, Havas Creative Group.

- For the full PDF version of the report please click 
- For a full transcript of Federation Chair Sir John Sorrell's speech at the event click here.
- And to view some of the press coverage click here and here.
- Please see below for footage from the event.
Nicky Morgan Answers her Critics
Education Secretary Nicky Morgan insisted the absence of creative subjects in EBacc did not show a lack of commitment by the Government to arts in education as she faced an audience of arts and creative industries professionals for the first time at our event at London's Roundhouse. 

Speaking alongside Minister for Schools Nick Gibb on Thursday 16th July, she hailed access to culture as "the birthright" of every child - but faced tough questioning from Federation members.

- For a full transcript of the speech please click here.
- And to view some of the press coverage click 
here and here.
- See below for footage from the event.
Nicky Morgan on Cultural and Creative Education - Thursday 16th July - The Roundhouse
Future UK Roadshows
After the pleasure of meeting delegates in East Anglia this week, the Federation will continue its programme of UK roadshow events from September. Details to be announced.
Liverpool Roadshow
We will be collaborating with partners including Liverpool John Moores University and Liverpool Everyman and Playhouse as the Roadshow returns to the North West.
Date: Tuesday 8th September
Time: Evening
Venue: Everyman Theatre, Liverpool

Register Here
Full programme and agenda to be announced.
There is no charge to attend this event; however places are limited so please register early.
Bristol Roadshow
The Federation will visit Bristol's Watershed at the end of September, working with partners including Bristol Media, The Watershed and Bath Spa University as we continue on our mission to engage with all areas of the UK.
Date: Wednesday 30th September
Time: Evening
Venue: The Watershed, Bristol

Register Here
Full programme and agenda to be announced.
There is no charge to attend this event; however places are limited so please register early.
- To register your attendance for all events please click here.
- To register your interest in membership please click here.
- For more information please click here.
If you want to get in touch with me personally please contact:

There are many ways to get involved. Become a member. Be part of the action.

John Kampfner

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Nicky Morgan Addresses the Federation

Education Secretary Nicky Morgan insisted the absence of creative subjects in EBacc did not show a lack of commitment by the Government to arts in education as she faced an audience of arts and creative industries professionals for the first time at our event at London's Roundhouse. 

Speaking alongside Minister for Schools Nick Gibb on Thursday 16th July, she hailed access to culture as "the birthright" of every child - but faced fierce questioning from Federation members.

Please click here for footage from the event including Q&A and Twitter reaction and click here for full copy of Nicky Morgan's speech.

Announcements Policy

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Publicly Funded Arts Bolster the UK Economy

We are pleased to announce the second of a series of policy reports from the Creative Industries Federation. The Arts and Growth report, produced in collaboration with the Arts Council England, was launched today at the Warwick Business School at the Shard. It looked at the link between the UK's commercial creative companies and public arts investment.

The creative industries in the UK are booming and an increasingly important part of the economy, with growth outgunning that in finance and insurance and employment up by 5 per cent between 2013 and 2014 against a 2.1 per cent UK average.

But the captains of industry who oversee the million-pound art sales, the publishing companies and the advertising conglomerates that returned £77 billion of direct GVA in 2012-2013 know that it is not just their business acumen that makes them a success story.

Please click here for a PDF of the report.

Please click here for the Guardian's reaction to the report.

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For the first time, top British entrepreneurs and business leaders, from Melanie Clore, chairman of Sotheby’s Europe, to Tom Weldon, CEO Penguin Random House, internet businesswoman Baroness Lane-Fox to Caroline Rush, CEO British Fashion Council, explain in this report why they see public investment in culture as crucial to what they do.

The report was launched with a keynote speech from HM Minister for Culture, Communications and Creative Industries, The Hon Ed Vaizey.

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May 2015

Crafts Council Education Manifesto

Crafts Council Education Manifesto

The Federation were pleased to have the support of Annie Warburton on Wednesday  at our Creative Education Event.


An education in craft develops creativity, inventiveness, problem-solving and practical intelligence. It also produces the makers of the future. Craft currently contributes £3.4 billion to the economy and over 150,000 people across the UK deploy craft skills within a number of industries including fashion, film, medicine and engineering. The Crafts Council along with partners has developed Our Future is in the Making: An Education Manifesto for Craft and Making – read more here.

Policy Research

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Creative Education Agenda Launch

Creative Education Agenda Launch

We are thrilled to announce the launch of the Federation's Creative Education Agenda. The agenda was launched today at the Institution of Civil Engineers and aimed to highlight concerns about the narrow focus some schools and policy makers have on science, technology and maths without art, drama, music, design or other similar subjects.

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ICE figures show that 36.5% of top engineers have art or design as an A or AS level and 35.4% play a musical instrument. Lack of proper arts education damages engineering as much as it hurts creative industries or the arts, so we are uniting with enlightened voices from the STEM world to highlight the importance of arts and science together - making STEAM from STEM!
The report was launched with a keynote speech from HM Minister for Culture, Communications and Creative Industries, The Hon Ed Vaizey

For a PDF of the document please click here.

Policy Research

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March 2015

Advisory Council Launch

We are delighted to announce the appointment of three Advisory Council co-chairs: Caroline Rush (Chief Executive, British Fashion Council), Amanda Nevill (Chief Executive, British Film Institute) and Marcus Davey (Chief Executive and Artistic Director, Roundhouse) - three of our original founders - who will be working with us to make the first appointments to the Council from the nominations we receive. Nominations for initial appointments are open to all members until the end of March. Further appointments will be made shortly afterwards. The first meeting of the Council is expected to take place before the election.

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February 2015

Nominations for Seats on the Federation Advisory Council

The Creative Industries Federation is forming an Advisory Council that will advise the organisation on important policy and other issues relating to the organisation's activities and to the broader issues facing the UK public arts, commercial creative industries and cultural education. Reporting to the CEO, the Council will be an important component of the workings of the Federation. It will meet 3-4 times a year. Members will be able to nominate themselves or others for a place on the Advisory Council.

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For the first year, the Council will be formed in several ways. The CEO, informed by the Board, will select an initial tranche of members. At its first meeting, the group will select further members. A number of these will have come through our nominations process.

It is intended that the first meeting of the full Council will take place in May 2015. All appointments will lapse after one year. Procedures will be reviewed towards the end of the first year of the Council, in common with the Federation's commitment to ensure the most effective operations and governance as it develops.

The Federation is committed to ensuring the broadest possible range of talents and experience for the Advisory Council. This includes:

  • Reflecting all the sectors of the creative industries, from film to fashion, from craft to computer games
  • Reflecting a broad mix of a) commercial creative industries, b) public arts, and c) cultural education
  • Reflecting the geographical spread of the UK (the cities, regions and nations will have further representation on the UK Council)
  • Reflecting diversity

How to Nominate

To make a nomination, email: Please write 'Advisory Council Nomination' in the subject line of your email. Make sure you include the following details:

  • Your full name
  • Job title
  • Company / organisation
  • Email address
  • Creative Industry sector
  • If you are nominating someone else: the same details for them.
  • A short explanation of why you think you/your nominee will make a suitable Council member and what qualities you feel you/they can bring to the group. We may respond to this explanation with follow-up questions.


For further details please get in touch with our membership team on 020 7514 7158.

General Conditions

  • By taking up a seat on the Advisory Council you agree to share and adhere to the goals and principles of the Federation
  • Places on the Advisory Council are for named individuals and are not transferable within companies/organisations
  • By accepting a seat on the Council you agree to attend Council meetings whenever possible; failure to attend two consecutive Council meetings may put your place in jeopardy
  • All Council members must be members of the Federation
  • The information above is subject to change at the discretion of the Federation

If you have any questions on Advisory Council nominations please email the Head of Membership/Partnerships, Tim Moore:


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